Ingma Bergman’s latest work as a screenwriter is "Sunday’s Children". Set in rural Sweden during the late 1920s, the story cent

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问题     Ingma Bergman’s latest work as a screenwriter is "Sunday’s
Children". Set in rural Sweden during the late 1920s, the story centers
on a young boy named Pu,  clearly modelled with Bergman himself.【S1】________
Pu’s father is a country clergyman who duties include traveling to the【S2】________
capital and ministering to the royal family. While this is an enviable
position, it does not assuage with problems in the clergyman’s marriage.【S3】________
Pu is young enough to be fairly oblivious of such difficulties, but his
awareness grows with the pass of time. So do the subtle tensions that【S4】________
damage Pu’s own relationship with his father, whose desire to show
affection and compassion hampered by a certain stiffness in his demeanor【S5】________
and chilliness in his emotions.
    The film’s most resonant passage take place when Pu learns to see【S6】________
his father with new clarity while accompanied him on a cross-country【S7】________
trip to another parish. In a remarkable change of tone, this portion of
the story is punctuated for flash-forwards to a time 40 years in the【S8】________
future, showing the relationship between parent and children to be
dramatically changed. The father is now cared for by the son, and
desires for forgiveness for past shortcomings what the younger man【S9】________
resolutely refuses to grant.
    Brief and abrupt although they are, these  scenes make a sharp【S10】________
contrast with the sunny landscapes and comic interludes in the early part
of the movie.
    "Sunday’s Children" is a film of many levels, and all are skillfully
handled by Danniel Bergman in his directional debut. Gentle scenes of
domestic contentment are sensitively interwoven with intimations of
underlying malaise.
【S6】

选项

答案take—takes

解析 主谓不一致。主语是passage,是单数,谓语动词应该使用takes。
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