首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
专升本
Between about 1910 and 1930, new artistic movement in European art were making themselves felt in the United States. American ar
Between about 1910 and 1930, new artistic movement in European art were making themselves felt in the United States. American ar
admin
2016-01-01
40
问题
Between about 1910 and 1930, new artistic movement in European art were making themselves felt in the United States. American artists became acquainted with the new art on their trips to Paris and at the exhibitions in the famous New York gallery "291"(named after its address on Fifth Avenue)of the photographer Alfred Stieglitz. But most important in the spread of the modern movements in the United States was the sensational Armony Show of 1913 held in New York, in which the works of many of the leading European artists were seen along with the works of a number of progressive American painters.
Several of the American modernists who were influenced by the Armony Show found the urban landscape, especially New York, an appealing subject. Compared with the works of the realist painters, the works of American modernists were much further removed from the actual appearance of the city. They were more interested in the "feel" of the city, more concerned with the meaning behind the appearance. However, both the painters of the "Ash Can School" and the later, realists were still tied to nineteenth century or early styles, while the early modernists shared the international breakthroughs of the art of the twentieth century.
The greatest of these breakthroughs was cubism developed most fully in France between 1907 and 1914, which brought about a major revolution in western painting. It overturned the rational tradition that had been built upon since the Renaissance. In cubism, natural forms were broken down analytically into geometric shapes. No longer was a clear differentiation made between the figure and the background of a painting the objects represented and the surface on which they were painted became one. The cubists abandoned the conventional single vantage point of the viewer, and objects represented from multiple viewpoints were shown at the same time.
Which of the following is NOT mentioned as a means through which American artists learned about new movements?
选项
A、Lessons from successful artists.
B、The Armony Show of 1913.
C、Trips to Europe.
D、The exhibitions at the gallery "291".
答案
A
解析
选项B、C和D都是发生在美国现代艺术史上重要的事件,因此A项是正确答案,文章并未提及。
转载请注明原文地址:https://kaotiyun.com/show/0uTC777K
本试题收录于:
英语题库普高专升本分类
0
英语
普高专升本
相关试题推荐
Iwouldhavepaid_____formycarifthesalesmanhadinsisted,becauseIreallywantedit.
______Ihatetodoit,Imust.
Myfatherwasalawyerwithnosons,sohedecidedthathisolderdaughter,Susie,wouldfollowhiscareer.Itwashisplanthat
Ihearmanyparentssayingthattheirteenagechildrenarerebelling,andIwishitwereso.Attheiragetheyoughttobe【B1】__
Youwerelateagainthismorning.Ithinkyouhadbetter_____ontime.
Thetroublecalled______promptactionbythegovernment.
Thegreatestrecentsocialchangeshavebeen【C1】______thelivesofwomen.Duringthetwentiethcenturytherehasbeenaremarkab
Abottleweighslessafterairistakenout,______provesthatairhasweight.
Beth()Californiain1981and()inTexaseversince.
A、ItissignofhumanintelligenceB、ItimproveswithconstantpracticeC、ItissomethingwearebornwithD、Itvariesfrompers
随机试题
蓄电池由_______等组成。
患者,女,40岁。外伤后股骨髁上骨折,在转院途中突然出现患肢剧痛,足背动脉搏动消失,足趾苍白、麻木发凉,小腿张力增高,局部有水疱,牵拉足趾引起小腿疼痛。其临床诊断是
关于扁桃体肿大,叙述正确的是
胆道T形管引流和腹腔引流管的护理措施,二者不同的是()。
下列关于支票的说法,错误的是()。
敌意性归因偏差是指在情景不明的情况下,有攻击性的人往往预测别人对自己有敌意,总是把他人的行为解释为故意的、敌意的。根据上述定义,下列各项属于敌意性归因偏差的是()。
通常,在一国货币制度中,():具有无限法偿。
Whohaverecentlylistenedtothestoryinthefirstparagraphofthetext?Accordingtothetext,emptyplatitudesmightbefo
WhereisMrSmithnow?
ThecapitalofAustraliais______.
最新回复
(
0
)