首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
The History of Early Cinema A)The history of the cinema in its first thirty years is one of major and, to this day, unparalleled
The History of Early Cinema A)The history of the cinema in its first thirty years is one of major and, to this day, unparalleled
admin
2014-12-26
69
问题
The History of Early Cinema
A)The history of the cinema in its first thirty years is one of major and, to this day, unparalleled expansion and growth. Beginning as something unusual in a handful of big cities—New York, London, Paris and Berlin—the new medium quickly found its way across the world, attracting larger and larger audiences wherever it was shown and replacing other forms of entertainment as it did so.
B)As audiences grew, so did the places where films were shown, finishing up with the "great picture palaces" of the 1920s, which rivalled, and occasionally superseded, theatres and opera-houses in terms of opulence and splendour. Meanwhile, films themselves developed from being short "attractions" only a couple of minutes long, to the full-length feature that has dominated the world’ s screens up to the present day.
C)Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and the Germans played a relatively small role in its world-wide exploitation. It was above all the French, followed closely by the Americans, who were the most passionate exporters of the new invention, helping to start cinema in China, Japan, Latin America and Russia. In terms of artistic development it was again the French and the Americans who took the lead, though in the years before the First World War, Italy, Denmark and Russia also played a part.
D)In the end, it was the United States that was to become, and remain, the largest single market for films. By protecting their own market and pursuing a vigorous export policy, the Americans achieved a dominant position on the world market by the start of the First World War. The centre of film-making had moved westwards, to Hollywood, and it was films from these new Hollywood studios that flooded onto the world s film markets in the years after the First World War, and have done so ever since.
E)Faced with total Hollywood domination, few film industries proved competitive.
The Italian industry, which had pioneered the feature film with spectacular films like Quo vadis(1913)and Cabiria(1914), almost collapsed. In Scandinavia, the Swedish cinema had a brief period of glory, notably with powerful epic films and comedies. Even the French cinema found itself in a difficult position. In Europe, only Germany proved industrially capable, while in the new Soviet Union and in Japan the development of the cinema took place in conditions of commercial isolation.
F)Hollywood took the lead artistically as well as industrially. Hollywood films appealed because they had better-constructed narratives, their special effects were more impressive, and the star system added a new dimension to screen acting.
G)If Hollywood did not have enough of its own resources, it had a great deal of money to buy up artists and technical innovations from Europe to ensure its continued dominance over present or future competition.
H)The rest of the world survived partly by learning from Hollywood and partly because audiences continued to exist for a product which corresponded to needs which Hollywood could not supply. As well as popular audiences, there were also increasing audiences for films which were artistically more adventurous or which dealt with the issues in the outer world.
I)None of this would have happened without technology, and cinema is in fact unique as an art form. In the early years, this art form was quite primitive, similar to the original French idea of using a lantern and slides back in the seventeenth century. Early cinema programmes were a mixture of items, combining comic sketches, free-standing narratives, serial episodes and the occasional trick or animated film.
J)With the arrival of the feature-length narrative as the main attraction, other types of films became less important. The making of cartoons became a separate branch of film-making, generally practised outside the major studios, and the same was true of serials. Together with newsreels, they tended to be shown as short items in a programme which led to the feature.
K)From early cinema, it was only American slapstick comedy that successfully developed in both short and feature format. However, during this "Silent Film" era, animation, comedy, serials and dramatic features continued to thrive, along with factual films or documentaries, which acquired an increasing distinctiveness as the period progressed.
L)It was also at this time that the avant-garde film first achieved commercial success, this time thanks almost exclusively to the French and the occasional German film.
M)Of the countries which developed and maintained distinctive national cinemas in the silent period, the most important were France, Germany and the Soviet Union. Of these, the French displayed the most continuity, in spite of the war and post-war economic uncertainties. The German cinema, relatively insignificant in the pre-war years, exploded on to the world scene after 1919. Yet even they were both overshadowed by the Soviets after the 1917 Revolution. They turned their back on the past, leaving the style of the pre-war Russian cinema to the emigres who fled westwards to escape the Revolution.
N)The other countries whose cinemas changed dramatically are: Britain, which had an interesting but undistinguished history in the silent period; Italy, which had a brief moment of international fame just before the war; the Scandinavian countries, particularly Denmark, which played a role in the development of silent cinema quite out of proportion to their small population; and Japan, where a cinema developed based primarily on traditional theatrical and, to a lesser extent, other art forms and only gradually adapted to western influence.
France helped some other countries develop their own film industry.
选项
答案
C
解析
本题意为法国帮助其他一些国家发展了自己的电影业。本题中Francehelped some other countries为关键词,定位到C段的It was above all the French,followed closely by the Americans,who were the most passionate exporters of the newinvention,helping to start cinema in China,Japan,Latin America and Russia. “法国人在推广电影的过程中热情最高,美国人紧随其后,在他们的帮助下,中国、日本、拉丁美洲和俄国建立了自己的电影院。”
转载请注明原文地址:https://kaotiyun.com/show/A2h7777K
0
大学英语六级
相关试题推荐
"Nothingraisesmorefearinarepressivegovernmentthanchallengestothecontrolofinformation.Andnothingismoreimportan
Themost【B1】______problemcreatedbytherapidincreaseinpopulationisa【B2】______offood.Moremouthshavetobe【B3】______eve
Themost【B1】______problemcreatedbytherapidincreaseinpopulationisa【B2】______offood.Moremouthshavetobe【B3】______eve
Economicgrowthreliesonthreegroupsofpeople.Itreliesonpeoplewhomakegoodsor(36)______services.Itreliesonpeoplew
DoctorsinBritainarewarningofanobesitytimebomb,whenchildrenwhoarealreadyoverweightgrowup.So,whatshouldwedo?
Althoughwealreadyknowagreatdealaboutinfluenza,itisdifficultforepidemiologists(流行病学家),whostudyinfectiousdisease,
AccordingtothemostrecentAmericanFreshmansurvey,conductedannuallybytheUniversityofCalifornia,LosAngeles,undergra
Englishistheleadinginternationallanguage.Indifferentcountriesaroundtheglobe,English【B1】______themothertongue,ino
随机试题
CriticalReadingCriticalreadingappliestonon-fictionwritinginwhichtheauthorputsforthapositionorseekstomake
教学中,在每节课或学习单元结束后,对学生进行口头提问币和书面测验,及时发现学生的问题,并根据学生的个体差异进行有针对性的矫正。这种评价是()。
肺癌空洞、肺结核空洞、肺脓疡空洞最可靠的鉴别方法是
患者,女性,40岁,石油化工工人,长期与苯接触,一年来全身乏力,Hb50g/L,血小板14×109/L,网织红细胞低于正常值,肝脾不肿大,骨髓增生低下。对其进行护理评估时下列哪项对其病因诊断最重要
男性,66岁。吸烟40余年,慢性咳嗽,咳痰20余年。近2年来劳累时有气急。查体:两肺呼吸音减弱,肺下界下移,两肺底有细小湿啰音。最可能的诊断是
具备进货、验收、贮存、养护、出库复核、运输、送货等职能的是按照总部的制度、规范要求、承担日常药品零售业务的是
甲公司与乙公司签订了一买卖合同,合同约定由卖方甲公司负责将货物运送到位于A地的乙公司仓库交货。甲公司遂与丙运输公司签订了运输合同,约定由丙公司将货物运至仓库。丙公司在运输途中遭遇到了罕见的泥石流,致使部分货物受损。该损失应由谁承担?
工业炉采用的混合衬体中,不包含()。
会计职业道德的检查可以通过()方式进行。
下列关于股权投资协议中的反摊薄条款的表述中,正确的是()。
最新回复
(
0
)