首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
Our present generation of cultural critics, arriving after the assault of postmodernism and the increasingly widespread commerci
Our present generation of cultural critics, arriving after the assault of postmodernism and the increasingly widespread commerci
admin
2012-10-23
38
问题
Our present generation of cultural critics, arriving after the assault of postmodernism and the increasingly widespread commercialization of culture, has been cast adrift, without any firm basis for judgments. Publications and institutions to support serious criticism, in this view, either no longer exist or are few in number.
Critics today, it is also claimed, are too cozy behind the ivied walls of academe, content to employ a prose style that is decipherable only to a handful of the cognoscente. The deadly dive of university critics into the shallow depths of popular culture, moreover, reveals the unwillingness of these critics to uphold standards. Even if the reasons offered are contradictory, these Jeremiahs huddle around their sad conclusion that serious cultural criticism has fallen into a morass of petty bickering and bloated reputations.
Such narratives of declension, a staple of American intellectual life since the time of the Puritans, are misplaced, self-serving, and historically inaccurate, and difficult to prove. Has the level of criticism declined in the last 50 years? Of course the logic of such an opinion depends on the figures that are being contrasted with one another. Any number of cultural critics thriving today could be invoked to demonstrate. That cultural criticism is alive and well.
But many new and thriving venues for criticism and debate exist today, and they are not limited solely to the discussion of literary works. Actually, they became so encrusted with their own certitude and political judgments that they became largely irrelevant. Today the complaint is that literary culture lacks civility. We live in an age of commercialism and spectacle. Writers seek the limelight, and one way to bask in it is to publish reviews that scorch the landscape, with Dale Peck as the fatuous, but not atypical, case in point. Heidi Julavits, in an essay in The Believer, lamented the downfall of serious fiction and reviewing. She surveyed a literary culture that had embraced "snark", her term for hostile, self-serving reviews.
The snark review, according to Julavits, eschews a serious engagement with literature in favor of a sound-bite approach, an attempt to turn the review into a form of entertainment akin to film reviews or restaurant critiques. A critic found cultural criticism to be in "critical condition". For him, the postmodern turn to, theory, in its questioning of objectivity, cut the critical, independent ground out from under reviewers. The rise of chain bookstores and blockbuster best sellers demeaned literary culture, making it prey to the commercial values of the market and entertainment.
The criticism does not seem discontinuous. Nor should we forget that civility rarely reigned in the circles of New York intellectuals. The art critic Clement Greenberg physically pummeled the theater critic Lionel Abel after Abel rejected the view that Jean Wahl, the French philosopher, was anti-Semitic. Though Robert Peck has the reputation of a literary hatchet man, so far as I know his blows thus far have all been confined to the printed page.
Cultural criticism has certainly changed over the years. The old days of the critic who wielded unchallenged authority have happily passed. Ours is a more pluralistic age, one not beholden to a narrow liter-ary culture. The democratization of criticism — as in the Amazon system of readers’ evaluating books—is a messy affair, as democracy must be. But the solution to the problems of criticism in the present is best not discovered in the musty basements of nostalgia and sentiment for the cultural criticism of a half-century gone. Rather the solution is to recognize, as John Dewey did almost a century ago, that the problems of democracy demand more democracy, less nostalgia for a golden age that never was, and a spirit of openness to what is new and invigorating in our culture.
What is the author’s opinion of the current complaint about the literary expansion into the other fields?
选项
A、When literary critics discuss issues with political judgments, their views are likely to be meaningless.
B、It is reasonable for writers to seek limelight since we are living in the age of commercialism.
C、Critics should be encouraged to write and publish poignant articles which would scorch the landscape.
D、It is the critics’ responsibility to lament the downfall of serious fiction and reviewing.
答案
C
解析
推理题。本题的解题点在第四段。文章提到“…one way to bask in it is to publish reviews that scorch the landscape….从此句可以推出正确答案是C选项。A选项说“…their views are likely to be meaningless”,文中用的单词是“relevant”,所以此选项不对。B选项的意思文中虽然有所提及,但是作者并没有说因为我们这个时代是一个商业化的社会。追求焦点效应,把自己变成众目注视之焦点就是合理的,所以B选项是不正确的。D选项是说哀叹小说和评论衰败的人是Heidi Julavits,所以D选项也不正确。
转载请注明原文地址:https://kaotiyun.com/show/Ab9O777K
0
考博英语
相关试题推荐
AnintelligentTVviewermayoccasionallybecomeenragedbythe______argumentationincommercials.
Shewasslatedtopresentanabstractofherthesisatthenationalconvention,andsospenttheholiday______.
Oneoftheconsequencesofadvancedcognitiveabilityhasbeentheemergenceofculturallife.
A(Always)sincethecreationofcelluloid,B(plastics)havebeenfoundC(tohave)D(amultitude)ofindustrialandcommercialus
TheditrytricksplayedupontheSecretaryoftheStateare______bythehigh-rankingofficialsbehindthescenes.
ThesuddendemiseofBritain’soldestinvestmentbank______globalmarkets.
Signsofdeafnesshadgivenhimgreatanxietyasearlyas1798.Foralongtimehesuccessfullyconcealeditfromallbuthismo
随机试题
就业促进方针。
肾淀粉样变性多见的管型是
以下说法正确的有()。
大型锤式破碎机宜采用()地脚螺栓。
居住:居民
经济学中,系统内部个别效率较高的组织的出现,会对其他效率较低的组织的存在和发展构成破坏或抑制,人们把这种作用称为“顶尖效应”。由于个人之间、地区之间、国家之间的发展不平衡,因此“顶尖效应”是普遍存在的。根据上述定义,下列有助于避免“顶尖效应”的是:
1951年冬,中共中央决定在________、_________、_________中开展“三反”运动。
下列关于民事法律关系的表述,不正确的是()。
稷下学宫
A、Stevecannothear.B、Stevehassomeproblemswithhisears.C、Stevedoesn’tlistentohim.D、Steveforgotaboutthemeeting.
最新回复
(
0
)