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  3. A few years back, the decision to move the Barnes, a respected American art institution, from its current location in the suburb

A few years back, the decision to move the Barnes, a respected American art institution, from its current location in the suburb

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问题    A few years back, the decision to move the Barnes, a respected American art institution, from its current location in the suburban town of Merion, Pa. , to a site in Philadelphia’s museum district caused an argument—not only because it shamelessly went against the will of the founder, Albert C. Barnes, but also because it threatened to dismantle a relationship among art, architecture and landscape critical to the Barnes’s success as a museum.
   For any architect taking on the challenge of the new space, the confusion of moral and design questions might seem overwhelming. What is an architect’s responsibility to Barnes’s vision of a marvelous but odd collection of early Modern artworks housed in a rambling 1920s Beaux-Arts pile? Is it possible to reproduce its spirit in such a changed setting? Or does trying to replicate the Barnes’s unique atmosphere only doom you to failure? The answers of the New York architects taking the commission are not reassuring.
   The new Barnes will include many of the features that have become virtually mandatory in the museum world today—conservation and education departments, temporary exhibition space, auditorium, bookstore, cafe—making it four times the size of the old Barnes. The architects have tried to compensate for this by laying out these spaces in an elaborate architectural procession that is clearly intended to replicate the peacefulness, if not the fantastic charm, of the old museum.
   But the result is a complicated design. Almost every detail seems to ache from the strain of trying to preserve the spirit of the original building in a very different context. The failure to do so, despite such an earnest effort, is the strongest argument yet for why the Barnes should not be moved in the first place.
   The old Barnes is by no means an obvious model for a great museum. Inside the lighting is far from perfect, and the collection itself, mixing masterpieces by Cezanne, Picasso and Soutine with second-rate paintings by lesser-known artists, has a distinctly odd flavor. But these apparent flaws are also what have made the Barnes one of the country’s most charming exhibition spaces.
   But today the new Barnes is after a different kind of audience. Although museum officials say the existing limits on crowd size will be kept, it is clearly meant to draw bigger numbers and more tourist dollars. For most visitors the relationship to the art will feel less immediate.
According to the passage, the new Barnes will______.
选项 A、be completely the same as the old one
B、take up more space than the old one
C、be changed into an art education center
D、be forced to be modern in appearance
答案B
解析 事实细节题。根据the new Barnes will定位到第三段第一句。该句提到，新建的巴恩斯博物馆包含了现今许多博物馆必备的功能，面积是旧巴恩斯博物馆的四倍，故[B]项为答案。[A]项与原文不符，故排除；教育功能是新博物馆包括的一个方面，但不是唯一的功用，故[C]项排除；[D]项原文中未提及，故也排除。
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