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  3. Web art has been "accepted" by traditional institutions, critics and thus the general public because it "fits" into our culture

Web art has been "accepted" by traditional institutions, critics and thus the general public because it "fits" into our culture

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问题     Web art has been "accepted" by traditional institutions, critics and thus the general public because it "fits" into our culture and society, a society which has been groomed by postmodern ideals. Thus web art has not been subjected to "cultural limbo" as photography had for a century and a half by the constraints imposed by modernism.
    The postmodernists embraced the idea that technology, especially reproductive mediums, would radically affect the perception of art. The rejection of traditional notions created a strong affinity towards new genres for postmodernists. The support given by postmodernism to technological art forms has played an important role in redefining the value of web-based mediums today.
    The nature of web-based art facilitates this acceptance. The infinite reproducibility of the web art form reaffirms postmodern deconstruction of the "unique existence" of the art object and thus its exuded authority and authentic value. Web art has crossed the boundaries of what was once the "unreproducibility of the aesthetic original" and introduced a world that exists free from the concept of either the original or the copy. Web art also elevates the viewer to the level of interactive creator and thus promote the process of artistic realization. Because of the interactive nature of web art, the viewer has ultimately replaced the artist, thus confirming Barthes’ theory of "death of the author".
    The existence of web art in a non-physical, temporal realm also contributes to the rejection of the modern value of the spatial art object. The audience understands the virtuality of this technology as it pervades daily life on the net. Finally, the inherent makeup of the Internet as a catalog of information, coded language, and raw data, allows web art to present art as text and equally text as art. The limitless interchangeability of text and web art constitutes the revelation of postmodern theorists that the meaning of art can only be found through the relationship of the "world outside the text that is nevertheless inscribed in the text".
    Postmodern ideals set forth the current society’s methodology of valuing art and thus new art forms. It is because web art so accurately mirrors the canons of postmodernism, that it is such a favored form in the art world. Web art’s acceptance and popularity exist because it is a concept as much as it is a "tool". Web art, like photography, is an instrument reiterating the values posed by postmodernists in order to reject traditional mediums. The opposition of tradition powers our society forward to seek out new ways to explain old ideas and explore new questions that pervade our environment.
According to the third Paragraph, web art______.
选项 A、redefines the concept of the art object
B、is infinitely reproducible
C、changes a viewer into an artist
D、will replace the unreproducible aesthetic original
答案B
解析 细节题。由题干定位到第三段。第二句提到，网络艺术形式的无限再生能力再一次肯定了后现代主义对艺术物体“唯一存在性"的解构，可见网络艺术具有无限再生性．但并未提到它重新定义了艺术物体，故排除A项，确定B项为正确答案。该段最后一句提到，使观众最终取代艺术家的是网络艺术的互动本质，而并非网络艺术本身，故排除C项。该段第三句提到，跨越了曾经被认为是“美学原创的不可再生性”的界限，但并未提到网络艺术将取代无法复制的美学原创，故排除D项。
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