The longest bull run in a century of art-market history ended on a dramatic note with a sale of 56 works by Damien Hirst, Beauti

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问题     The longest bull run in a century of art-market history ended on a dramatic note with a sale of 56 works by Damien Hirst, Beautiful Inside My Head Forever, at Sotheby’s in London on September 15th 2008. All but two pieces sold, fetching more than £70m, a record for a sale by a single artist. It was a last victory. As the auctioneer called out bids, in New York one of the oldest banks on Wall Street, Lehman Brothers, filed for bankruptcy.
    The world art market had already been losing momentum for a while after rising vertiginously since 2003. At its peak in 2007 it was worth some $65 billion, reckons Clare McAndrew, founder of Arts Economics, a research firm—double the figure five years earlier. Since then it may have come down to $50 billion. But the market generates interest far beyond its size because it brings together great wealth, enormous egos, greed, passion and controversy in a way matched by few other industries.
    In the weeks and months that followed Mr. Hirst’s sale, spending of any sort became deeply unfashionable. In the art world that meant collectors stayed away from galleries and salerooms.
    Sales of contemporary art fell by two-thirds, and in the most overheated sector — for Chinese contemporary art—they were down by nearly 90% in the year to November 2008. Within weeks the world’s two biggest auction houses, Sotheby’s and Christie’s, had to pay out nearly $200m in guarantees to clients who had placed works for sale with them.
    The current downturn in the art market is the worst since the Japanese stopped buying Impressionists at the end of 1989. This time experts reckon that prices are about 40% down on their peak on average, though some have been far more volatile. But Edward Dolman, Christie’s chief executive, says: "I’m pretty confident we’re at the bottom."
    What makes this slump different from the last, he says, is that there are still buyers in the market. Almost everyone who was interviewed for this special report said that the biggest problem at the moment is not a lack of demand but a lack of good work to sell. The three Ds—death, debt and divorce — still deliver works of art to the market. But anyone who does not have to sell is keeping away, waiting for confidence to return.
The most appropriate title for this text could be______.

选项 A、Fluctuation of Art Prices
B、Up-to-date Art Auctions
C、Art Market in Decline
D、Shifted Interest in Arts

答案C

解析 主旨题我们大多都可以通过对第一段的理解以及对文章写作手法的认知来解决。首段提问、首段独句、转移中心、大众观点、事例开头、类比开头都是我们在前面讲述过的能表述或引出主旨的写作手法。本文首段采用了苏诺比拍卖行成功拍卖两件艺术品这一个案(事例)开头的手法,这样主题可能会在第一段的最后一句或者第二段的第一句表述。研读最后一段第一句话我们得知本句依然在表述拍卖事件本身,第二段第一句表述了本文的主题:The world an market had already been losing momentum for a while,由此确定本题答案为C项。
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