2. 外语
  3. Today I would like to talk about the early days of movie making in the late nineteenth and early 【B1】______ centuries. Before t

Today I would like to talk about the early days of movie making in the late nineteenth and early 【B1】______ centuries. Before t

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问题     Today I would like to talk about the early days of movie making in the late nineteenth and early  【B1】______ centuries. Before the【B2】______ films of D. W. Griffith, film makers were limited by several  【B3】______ questions of the era. According to one, the camera was always fixed at a viewpoint【B4】______ to that of the spectator in the theatre, a position now known as the long shot. It was another convention that the【B5】______ of the camera never changed in the middle of a【B6】______ . In last week’s films, we saw how Griffith ignored both these limiting【B7】______ and brought the camera closer to the actor.
    This shot, now known as a full shot, was considered【B8】______ at the time. For Love of Gold, was the name of the film in which the first use of the full shot. After progressing from a long shot to the full shot, the next logical step for Griffith was to bring in the camera still closer, in what is now called the close-up.【B9】______ , as for example, in Edqaed Asport’s The Great Train Robbery, which was made in 1903.
    But not until 1908 in Griffith’s movie【B10】______ . In the scene from After Many Years that we are about to see, pay special attention to the close-up of Annie Lee’s worried face as she awaits her husband’s return. In 1908, this close-up shocked everyone in the Biogress Studio. But Griffith had no time for argument. He had another surprise even more radical to offer. Immediately following close-up of Annie, he inserted a picture of the object of her thought--her husband east sway on a desert aisle.【B11】______ .  
【B10】
选项
答案called After Many Years was the dramatic potential of the close-up exploited
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