2. 外语
  3. It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without a

It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without a

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问题     It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes. Or, to give another illustration, to write naturally is the same thing in regard to common conversation as to read naturally is in regard to common speech. It does not follow that it is an easy thing to give the true accent and inflection to the words you utter, because you do not attempt to rise above the level of ordinary life and colloquial speaking. You do not assume, indeed, the solemnity of the pulpit, or the tone of stage declamation; neither are you at liberty to gabble on at a venture, without emphasis or discretion, or to resort to vulgar dialect or clownish pronunciation. You must steer a middle course. You are tied down to a given appropriate articulation, which is determined by the habitual associations between sense and sound, and which you can only hit by entering into the author’s meaning, as you must find the proper words and style to express yourself by fixing your thoughts on the subject you have to write about. Anyone may mouth out a passage with a theatrical cadence, or get upon stilts to tell his thoughts; but to write or speak with propriety and simplicity is a more difficult task. Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it. Out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive. (435 words)
When the writer says, ’’you must steer a middle course," he means that______.
选项 A、you should speak neither too loudly nor too softly
B、you should speak neither too formally nor too colloquially
C、you should write as well as speak
D、you should not come to any definite conclusion about what is proper or not proper in speech
答案B
解析 文章第九句：说话不能带有宗教传教般的肃穆或舞台腔，也不能使用庸俗的方言或小丑般的语音。这就人们说话要适当，故选B。
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