2. 外语
  3. By 1776 the fine art of painting as it had developed in western Europe up to this time had been introduced into the American col

By 1776 the fine art of painting as it had developed in western Europe up to this time had been introduced into the American col

admin2014-02-22  54
问题     By 1776 the fine art of painting as it had developed in western Europe up to this time had been introduced into the American colonies through books and prints, European visitors and immigrants, and traveling colonists who brought back copies(and a few original)of old master paintings and acquaintance with European art institutions.
    By the outbreak of the Revolution against British rule in 1776, the status of the artists had already undergone change. In the mid-eighteenth century, painters had been willing to assume such artisan-related tasks as varnishing, gilding teaching, keeping artists were described at the time suggests their status: "limner" was usually applied to the anonymous portrait painter up to the 1760’s: "painter" characterized anyone who could paint a flat surface. By the second half of the century, colonial artists who were trained in England or educated in the classics rejected the status of laborer and thought of themselves as artists. Some colonial urban portraitists, such as John Singleton Copley, Benjamin West, and Charles Wilson Peale, consorted with affluent patrons. Although subject to fluctuations in their economic status, all three enjoyed sufficient patronage to allow them to maintain an image of themselves as professional artists, an image indicated by their custom of signing their paintings. A few art collectors James Bowdoin III of Boston, William Byrd of Virginian, and the Aliens and Hamiltons of Philadelphia introduced European art traditions to those colonists privileged to visit their galleries, especially aspiring artists, and established in their respective communities the idea of the value of art and the need for institutions devoted to its encouragement.
    Although the colonists tended to favor portraits, they also accepted landscapes, historical works, and political engravings as appropriate artistic subjects. With the coming of independence from the British Crown, a sufficient number of artists and their works were available to serve nationalistic purposes. The achievements of the colonial artists, particularly those of Copley, West, and Peale, lent credence to the boast that the new nation was capable of encouraging genius and that political liberty was congenial to the development of taste — a necessary step before art could assume an important role in the new republic.
The author mentions James Bowdoin III and William Byrd in Paragraph 2 as examples of which of the following?
选项 A、Art gallery owners who displayed only European art.
B、Art collectors who had a profound influence on American attitudes toward art.
C、Artists who gave financial support to other artists.
D、Patrons who helped to encourage artisans to become artists.
答案B
解析 细节推理题。根据题干关键词James Bowdoin III and William Byrd定位到原文第二段尾句。原句中的art collectors与选项B重现，原句中的established…the idea of the value of art and the need forinstitutions devoted to its encouragement与选项B中的a profound influence on American attitudestoward art对应，可以理解为一些对艺术发展起到了作用的收藏者。故答案为B。
转载请注明原文地址:https://kaotiyun.com/show/bHQO777K
0

考博英语

相关试题推荐
随机试题
最新回复(0)