首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
"Looking at Theatre History" One of the primary ways of approaching the Greek theatre is through archeology, the systematic s
"Looking at Theatre History" One of the primary ways of approaching the Greek theatre is through archeology, the systematic s
admin
2018-07-24
37
问题
"Looking at Theatre History"
One of the primary ways of approaching the Greek theatre is through archeology, the systematic study of material remains such as architecture, inscriptions, sculpture, vase painting, and other forms of decorative art. A Serious on-site excavations began in Greece around 1870, but W. Dorpfeld did not begin the first extensive study of the Theatre of Dionysus until 1886. B Since that time, more than 167 other Greek theatres have been identified and many of them have been excavated. C Nevertheless, they still do not permit us to describe the precise appearance of the
Skene
(illustrations printed in books are conjectural reconstructions), since many pieces are irrevocably lost because the buildings in later periods became sources of stone for other projects and what remains is usually broken and scattered. D That most of the buildings were remodeled many times has created great problems for those seeking to date the successive versions. Despite these drawbacks, archeology provides the most concrete evidence we have about the theatre structures of ancient Greece. But, if they have told us much, archeologists have not completed their work, and many sites have scarcely been touched.
Perhaps the most eontroversial use of archeological evidence in theatre history is vase paintings, thousands of which have survived from ancient Greece. (Most of those used by theatre scholars are reproduced in Margarete Bieber’s The History of the Greek and Roman Theatre.) Depicting scenes from mythology and daily life, the vases are the most graphic pictorial evidence we have. But they are also easy to misinterpret. Some scholars have considered any vase that depicts a subject treated in a surviving drama or any scene showing masks, flute players, or ceremonials to be valid evidence of theatrical practice. This is a highly questionable assumption, since the Greeks made widespread use of masks, dances, and music outside the theatre and since the myths on which dramatists drew were known to everyone, including vase painters, who might well depict the same subjects as dramatists without being indebted to them. Those vases showing scenes unquestionably theatrical are few in number.
The texts to classical Greek plays were written down soon after the performance and possibly even before, though it is not always clear when or by whom. By 400 b.c.e., there was a flourishing book trade in Greece, but the texts for plays were a challenge. Hellenistic scholars dedicated years to sorting out the text and removing what they believed to be corruptions generally added by actors, but each time a text was copied there were new possibilities for errors.
The oldest surviving manuscripts of Greek plays date from around the tenth century, c.e., some 1500 years after they were first performed. Nevertheless, the scripts offer us our readiest access to the cultural and theatrical conditions out of which they came. But these scripts, like other kinds of evidence, are subject to varying interpretations. Certainly performances embodied a male perspective, for example, since the plays were written, selected, staged, and acted by men. Yet the existing plays feature numerous choruses of women and many feature strong female characters. Because these characters often seem victims of their own powerlessness and appear to be governed, especially in the comedies, by sexual desire, some critics have seen these plays as rationalizations by the male-dominated culture for keeping women segregated and cloistered. Other critics, however, have seen in these same plays an attempt by male authors to force their male audiences to examine and call into question this segregation and cloistering of Athenian women.
By far the majority of written references to Greek theatre date from several hundred years after the events they report. The writers seldom mention their sources of evidence, and thus we do not know what credence to give them. In the absence of material nearer in time to the events, however, historians have used the accounts and have been grateful to have them. Overall, historical treatment of the Greek theatre is something like assembling a jigsaw puzzle from which many pieces are missing: historians arrange what they have and imagine (with the aid of the remaining evidence and logic) what has been lost. As a result, though the broad outlines of Greek theatre history are reasonably clear, many of the details remain open to doubt.
Glossary
skene: a stage building where actors store their masks and change their costumes
Why does the author mention a "jigsaw puzzle" in paragraph 5?
选项
A、To demonstrate the difficulty in drawing conclusions from partial evidence
B、To compare the written references for plays to the paintings on vases
C、To justify using accounts and records that historians have located
D、To introduce the topic for the next reading passage in the textbook
答案
A
解析
"... historical treatment of Greek theatre is something like assembling a jigsaw puzzle of which many pieces are missing." The reference to "missing pieces" is an analogy to the partial evidence for Greek theatre. Choice B is not correct because no comparison is made between written references and the paintings in paragraph 4. Choice C is not correct because the author does not use words and phrases that suggest justification. Choice D is not correct because the last sentence is a summary of the reading passage, not an opening sentence for a new topic.
转载请注明原文地址:https://kaotiyun.com/show/fCfO777K
0
托福(TOEFL)
相关试题推荐
Whatisthetutor’sopinionofthefollowingcompanyprojects?ChooseFIVEanswersfromthebox,andwritethecorrectletter,A
Whatisthetutor’sopinionofthefollowingcompanyprojects?ChooseFIVEanswersfromthebox,andwritethecorrectletter,A
Whatisthetutor’sopinionofthefollowingcompanyprojects?ChooseFIVEanswersfromthebox,andwritethecorrectletter,A
Labeltheplanbelow.Writethecorrectletter,A-l,nexttoquestions16-20Whereinthemuseumarethefollowingplaces?Key
WhatdidPhoebefinddifficultaboutthedifferentresearchtechniquessheused?ChooseFIVEanswersfromtheboxandwritethe
ChooseTHREEletters,A-ETheinventionofdifferentgearsonabicycleaffectedwhichTHREEofthefollowing?AWheelsizeBBa
Labelthemapbelow.Writethecorrectletter,A-E,nexttoquestions11-15.PrimarySchool
Completethenotesbelow.WriteONEWORDAND/ORANUMBERforeachanswer.DRIVINGSCHOOLExampleAnswerLookingfordrivingless
Completethenotesbelow.WriteONEWORDAND/ORANUMBERforeachanswer.DRIVINGSCHOOLExampleAnswerLookingfordrivingless
Whatdoesthepassagemainlydiscuss?Accordingtothepassage,whatisonedifferencebetweenthehuntingdonebysomehumans
随机试题
有关干预性研究特点的描述,错误的是
A.牙源性B.腺源性C.损伤性D.血源性E.医源性新生儿颌骨骨髓炎感染多为
下列关于公民的民事权利能力的表述,正确的是( )。
律师接受律师事务所安排办理业务后,律师事务所可以因某些情况的出现终止其代理工作。但发生下列哪一种情况时,不得终止承办律师的代理工作?
保证人和债权人可能就下列哪些合同,签订最高债权额保证合同?()
房地产经纪人是指()。
防病毒卡能够()。
①果戈理!少年和青年,男子和妇女,掌握知识为时不久的中学生和熟悉生活、聪慧颖悟的老者的永恒旅伴。②一旦果戈理渗入我们的心灵,他已然永不离去,而是永久在我们的意识和心中定居,并且像在家里那样在那里生活着——异常果敢,从容安适。③仿佛这全然不是
Inarareunanimousruling,theUSSupremeCourthasoverturnedthecorruptionconvictionofaformerVirginiagovernor,Robert
以下不属于无线局域网应用领域的是______。
最新回复
(
0
)