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As the works of dozens of women writers have been rescued from what E. P. Thompson calls "the enormous condescension o
As the works of dozens of women writers have been rescued from what E. P. Thompson calls "the enormous condescension o
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2012-01-15
82
问题
As the works of dozens of women writers have
been rescued from what E. P. Thompson calls
"the enormous condescension of posterity," and
Line considered in relation to each other, the lost continent
(5) of the female tradition has risen like Atlantis
from the sea of English literature. It is now
becoming clear that, contrary to Mill’s theory,
women have had a literature of their own all
along. The woman novelist, according to Vineta
(10) Colby, was "really neither single nor anomalous,"
but she was also more than a "register and
spokesman for her age." She was part of a tradition
that had its origins before her age, and has
carried on through our own.
(15) Many literary historians have begun to reinterpret
and revise the study of women writers. Ellen Moers
sees women’s literature as an international
movement, "apart from, but hardly subordinate
to the mainstream: an undercurrent, rapid and
(20) powerful. This ’movement’ began in the late
eighteenth century, was multinational, and produced
some of the greatest literary works of two
centuries, as well as most of the lucrative pot-
boilers." Patricia Meyer Spacks, in The Female
(25) Imagination, finds that "for readily discernible
historical reasons women have characteristically
concerned themselves with matters more or less
peripheral to male concerns, or at least slightly
skewed from them. The differences between traditional
(30) female preoccupations and roles and male
ones make a difference in female writing." Many
other critics are beginning to agree that when we
look at women writers collectively we can see an
imaginative continuum, the recurrence of certain
(35) patterns, themes, problems, and images from generation
to generation.
The passage supplies information for answering which of the following questions?
选项
A、Does the author believe the female literary tradition to be richer in depth than its masculine counterpart?
B、Are women psychological as well as sociological chameleons?
C、Does Moers share Mill’s concern over the ephemeral nature of female literary renown?
D、What patterns, themes, images, and problems recur sufficiently in the work of women writers to belong to the female imaginative continuum?
E、Did Mill acknowledge the existence of a separate female literary tradition?
答案
E
解析
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