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  3. Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructe

Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructe

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问题     Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards(内在部分)are discouraging to any but the pure scientific mind.
    In a newsreel theatre the other day I saw a picture of a man who had developed the soap bubble to a higher point than it had ever before reached. He had become the ace soap bubble blower of America, had perfected the business of blowing bubbles, refined it, doubled it, squared it, and had even worked himself up into a convenient lather. The effect was not pretty. Some of the bubbles were too big to be beautiful, and the blower was always jumping into them or out of them, or playing some sort of unattractive trick with them. It was, if anything, a rather repulsive sight. Humor is a little like that: it won’t stand much blowing up, and it won’t stand much poking. It has a certain fragility, an evasiveness, which one had the best respect. Essentially, it is a complete mystery. A human frame convulsed with laughter, and the laughter becoming mysterious and uncontrollable, is as far out of balance as one shaken with the hiccoughs or in the throes of a sneezing fit.
    One of the things commonly said about humorist is that they are really very sad people—clowns with a breaking heart. There is some truth in it, but it is badly stated. It would be more accurate, I think, to say that there is a deep vein of melancholy running through everyone’s life and that the humorist, perhaps more sensible of it than some others , compensates for it actively and positively. Humorists fatten on trouble. They have always made trouble pay. They struggle along with a good will and endure pain cheerfully, knowing how well it will serve them in the sweet by and by. You find them wrestling with foreign languages, fighting folding ironing boards and swollen drainpipes, suffering the terrible discomfort of tight boot(or as Josh Billings wittily called them, "tire boots"). They pour out their sorrows profitably, in a form that is not quite a fiction or not quite a fact either. Beneath the sparking surface of these dilemmas flows the strong tide of human wee.
    Practically everyone is a manic depressive of sorts, with his up moments and his down moments, and you certainly don’t have to be a humorist to taste the sadness of situation and mood. But there is often a rather fine line between laughing and crying, and if a humorous piece of writing brings a person to the point where his emotional responses are untrustworthy and seem likely to break over into the opposite realm, it is because humor, like poetry, has an extra content. It plays close to the bit hot fire, which is truth, and sometimes the reader feels the heat.
In the 3rd paragraph, "Humorists fatten on trouble" illustrates the fact that______.
选项 A、humorists are really very sad people—clowns with a breaking heart
B、humorists, perhaps more sensible of life’s sad nature than others, makes it good actively and positively
C、humorists make money by interpreting life’s bad part actively and positively
D、humor, like poetry, has an extra content
答案C
解析 第3段第4、5句清楚表明幽默家通过生活中的负面来赚钱。fatten有“使钱增多”的含义，故C项为正确答案。
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