首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
考研
On Tuesday 2 June, Grammy award-winning songwriter and music artist Tiffany Red returned home from a trip to her local mall, whe
On Tuesday 2 June, Grammy award-winning songwriter and music artist Tiffany Red returned home from a trip to her local mall, whe
admin
2022-09-20
81
问题
On Tuesday 2 June, Grammy award-winning songwriter and music artist Tiffany Red returned home from a trip to her local mall, where she had encountered the national guard armed with large rifles, an experience that left Red "traumatized".
Still processing her experience at the mall earlier that day. Red opened her inbox to find a message from her South Korean music publisher, Ekko Music Rights, regarding a $66 payment for a song she had written for one of K-pop’s most popular groups, NCT Dream—a straightforward business transaction with zero acknowledgment of what Red, a Black American woman, may have been going through.
For Red, who has worked with artists such as Zendaya, Jennifer Hudson and Jason Derulo,
this was a final straw
. She had already decided to stop writing K-pop music because she felt she was poorly compensated, but Ekko’s aloofness spoke to a continued concern she harbored about the industry at large: that despite K-pop’s reliance on Black music and culture, the industry didn’t actually support Black lives.
Today, a striking number of K-pop hits are written and produced by Black Americans and a significant percentage of K-pop fans in the US are Black. As K-pop grows in popularity worldwide, many international fans are waiting for the industry to develop a more sensitive, globalized understanding of race.
Within K-pop, blackface, mouthing or saying racial slurs, and purely aesthetic uses of Black culture and hairstyles are still common. In recent weeks, as the media has painted K-pop fans as politically active racists and reserving thousands of tickets to artificially boost expected attendance at Donald Trump’s Tulsa rally, official statements of support for Black lives have trickled in from a handful of groups and idols.
Arguably the most well-known K-pop group in the world, BTS, and their parent company, Big Hit Entertainment (whose CEO has stated publicly that "Black music is the base" of the septet’s musical identity) , were some of the most vocal, and the only group to donate money—$ lm—to Black Lives Matter. But many contend that the industry overall has failed to show unified support for the movement. Now, Black creatives and fans are holding them accountable.
SM Entertainment is one of South Korea’s three largest entertainment companies. It is credited with producing the first K-pop idol group, H. O. T. , in 1996, which established the "SM performance" style that the brand still employs today: a combination of impressive visuals, dance, rock, rap and hip-hop that took inspiration from Black American artists of the MTV generation. Songwriter and producer Micah Powell attended six SM songwriting camps between 2015 and 2018. At one camp, he wrote a song called Devil and created a dance move to go with it, which he then showed to SM executives. "The entire staff lit up," Powell says of their reaction.
Devil became the lead single of SM group Super Junior’s 2015 album of the same name. When Powell watched the music video for Devil for the first time, he was shocked to see that his dance move, a hip tap and high clap combination, had been used as part of the song’s chorus, without his permission, and without credit or compensation. Powell’s background vocals on the track had also been used without payment or credit.
"I had to hunt [SM]down," he says, and was eventually paid $200 for the vocals which he had recorded in Korean, a language he does not speak. Powell says the industry’s lack of action is "a microcosm of a bigger issue, part of a bigger puzzle of inequality". K-pop looks to the west for inspiration and "this is exactly how white people see us. They use our culture, they love our culture, they’ll take everything from our culture, but don’t pour back into our culture. "
According to Paragraph 1,Tiffany Red was traumatized because _________.
选项
A、she was threatened by the national guard
B、she met the national guard with rifles
C、she was robbed by men with large rifles
D、she was shot by the national guards
答案
B
解析
细节题。根据题干提示可定位于第一段。
转载请注明原文地址:https://kaotiyun.com/show/yJmZ777K
0
考研英语一
相关试题推荐
Thedifferencebetween"writer"and"reporter"or"journalist"isn’tthatthejournalistreports—she【C1】______sources,callspeo
Thedifferencebetween"writer"and"reporter"or"journalist"isn’tthatthejournalistreports—she【C1】______sources,callspeo
Thedifferencebetween"writer"and"reporter"or"journalist"isn’tthatthejournalistreports—she【C1】______sources,callspeo
Thedifferencebetween"writer"and"reporter"or"journalist"isn’tthatthejournalistreports—she【C1】______sources,callspeo
Thedifferencebetween"writer"and"reporter"or"journalist"isn’tthatthejournalistreports—she【C1】______sources,callspeo
Youngpeoplealwayssufferinrecessions.Employersstop【C1】______thembecausetheyareeasiertosack.Butin【C2】______episodes
Asanycityincreasesinsize,thereisacorrespondingsurgeinvehiculartraffic,aproblemthat,ifleftunaddressed,canhin
ThishistoryofresponsestotheworkoftheartistSandroBotticelli(1444-1510)suggeststhatwidespreadappreciationbycriti
Somuchdataindicatetheworld’sprogresstowardsmeetingtheMillenniumDevelopmentGoals(MDGs),asetoftargetsadoptedbyw
December21markedanepoch.Psy,thestagenameof34-year-oldParkJae-sang,becamethefirstartisttoget1billionviewson
随机试题
A.HAVB.HBVC.HCVD.HDVE.HEV母婴传播主要见于
CREST、综合征的特异性抗体是
我国刑法规定的刑罚的种类中属于附加刑的是()
危险辨识、风险评价和风险控制策划应对所评价的风险进行合理的分级,确定不同风险的可承受性,以便在制定目标特别是制定()时予以侧重和考虑。
对某大楼质量验收的说法,下列说法正确的是()。
根据《农田水利条例》(国务院令第669号),政府投资建设的农田水利工程由县级以上人民政府有关部门组织竣工验收,并邀请有关专家和()参加。
简述信用证支付方式的一般程序。
受益人自信托生效之日起享有信托受益权,信托文件另有规定的,从其规定。按照《信托法》和《合同法》的规定,信托生效的方式主要有( )。
下列有关金融中介与金融市场功能的关系的表述,传统理论认为()。
12,13,28,87,352,()
最新回复
(
0
)