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  3. In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant

In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant

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问题     In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn’t affect her, Priestly explains how the deep blue color of the assistant’ s sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.
    This top-down conception of the fashion business couldn’ t be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of "fast fashion". In the last decade or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. These labels encourage style-conscious consumers to see clothes as disposable—meant to last only a wash or two, although they don’t advertise that—and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.
    The victims of this revolution, of course, are not limited to designers. For H&M to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.
    Overdressed is the fashion world’s answer to consumer-activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma. "Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful," Cline argues. Americans, she finds, buy roughly 20 billion garments a year—about 64 items per person—and no matter how much they give away, this excess leads to waste.
    Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes—and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can’t be knocked off.
    Though several fast-fashion companies have made efforts to curb their impact on labor and the environment—including H&M, with its green Conscious Collection line—Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can’t afford not to.
What is the subject of the text?
选项 A、Satire on an extravagant lifestyle.
B、Challenge to a high-fashion myth.
C、Criticism of the fast-fashion industry.
D、Exposure of a mass-market secret.
答案C
解析 主旨题。综观文章，第一段用事例引入时尚的话题，第二段切入文章主要论述问题“快速时尚”。并指出它破坏了时尚周期，动摇了时尚产业。第三、四段指出“快速时尚”的弊端，比如：消耗自然资源、使用大量有害的化学物质、浪费等。最后两段提到针对“快速时尚”的负面影响采取的应对措施。由此可知，C项“批评快速时尚产业”论述了文章的主题。A项“讽刺奢侈的生活方式”，原文没提。B项“挑战高级时尚的神话”、D项“揭露畅销的秘密”。均与文章关键词fast fashion无关。
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