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  3. Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the wo

Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the wo

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问题     Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the women taking part. Their hair-styles and make-up look dated; their skirts look either too long or too short; their general appearance is, in fact, slightly ludicrous. The men taking part in the film, on the other hand, are clearly recognizable. There is nothing about their appearance to suggest that they belong to an entirely different age.
    This illusion is created by changing fashions. Over the year, the great majority of men have successfully resisted all attempts to make them change their style of dress. The same cannot be said for women. Each year a few so-called top designers in Paris or London lay down the law and women the whole world over rush to obey. The decrees of the designers are unpredictable and dictatorial. This year, they decide in their arbitrary fashion, skirts will be short and waists will be high; zips are in and buttons are out. Next year the law is reversed and far from taking exception, no one is even mildly surprised.
    If women are mercilessly exploited year after year, they have only themselves to blame. Because they shudder at the thought of being seen in public in clothes that are out of fashion, they are annually black-mailed by the designers and the big stores. Clothes, which have been worn, only a few times have to be discarded because of the dictates of fashion. When you come to think of it, only a women is capable of standing in front of a wardrobe packed full of clothes and announcing sadly that she has nothing to wear.
    Changing fashions are nothing more than the deliberate creation of waste. Many women squander vast sums of money each year to replace clothes that have hardly been worn. Women, who cannot afford to discard clothing in this way, waste hours of their time altering the dresses they have. Hem-limes are taken up or let down; waistlines are taken in or let out; neck-lines are lowered or raised, and so on.
    No one can claim that the fashion industry contributes anything really important to society. Fashion designers are rarely concerned with vital things like warmth, comfort and durability. They are only interested in outward appearance and they take advantage of the fact that women will put up with any amount of discomfort, providing they look right. There can hardly be a man who hasn’t at some time in his life smiled at the sight of a woman shivering in a flimsy dress on a wintry day, or delicately picking her way through deep snow in dainty shoes.
    When comparing men and women in the matter of fashion, the conclusions to be drawn are obvious. Do the constantly changing fashions of women’s clothes, one wonders, reflect basic qualities of fickleness and instability? Men are too sensible to let themselves be bullied by fashion designers. Do their unchanging styles of dress reflect basic qualities of stability and reliability? That is for you to decide.
Why are women mercilessly exploited by the fashion designers?
选项 A、They love new fashion.
B、They love new clothes.
C、They want to look beautiful.
D、They are too vain.
答案D
解析 D．她们太好虚荣。这在文章的好几段内都提到。如第三段后半部分“只穿了几次的衣服就因为时尚的命令而弃之一边。当你想到只有妇女能站在堆满衣服的衣柜前，悲哀地诉说她没有衣服穿。”第四段的后半段“花不起大笔钱财买衣服的妇女会花上好几个小时把她们已有的衣服换来换去”。第五段后半部分“男人一生中经常可以看到大冬天妇女颤抖在薄薄的衣衫中，或者穿着精致的鞋在雪地上选路走，这都令他们发笑”。最后一段结论，画龙点睛地以问点明“经常不断地换时装。人们不禁要问，这是不是反映了妇女轻浮和易变的基本素质(秉性)?”A．她们爱新时尚；B．她们爱新衣服；C．她们想瞧着美。这三项只是虚荣的部分组成。
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