The notion of film producers as the ogres of the movie business has proved an (i)________one, but according to The Producers by

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问题 The notion of film producers as the ogres of the movie business has proved an (i)________one, but according to The Producers by Tim Adler, it is not always granted in reality. Attacking what he calls the “auteur myth”—the idea of the director as the only purveyor of art in an industry otherwise peopled with (ii)________—he places at the heart of his book an image of the producer, not the director, as the primary (iii)________force in the development and production of a movie.
Blank (i)      Blank (ii)         Blank (iii)
A. accurate    D. visionaries     G. financial
B. hypercritic E. profit mongers  H. inertial
C. enduring    F. innocents       I. creative

选项

答案C,I

解析 先看空格(i),逻辑连接词是but,表示前后转折。but前面说制片人是魔鬼(film producers as the ogres)的想法是(i)________的;but后面说并不总是与事实相吻合(not always granted in reality),空格表示notion的属性。A选项表示“精确的”,既然精确那么为何不与事实相吻合呢?前后矛盾所以不能选。B选项表示“苛求的”,这里与要求高低无关,所以只有C选项符合推理。空格(ii)表示的是电影产业中有一些什么样的人,这里注意otherwise,副词,表示“与此不同的是,在其他方面”,体现对比。前面说只有导演一个人在为艺术做贡献(director as the only purveyor of art),所以其他人肯定都是不好的,空格(ii)体现出负评价含义即可,所以选择E,表示“贪婪的人”。空格(ii)所在句子在解释“auteur myth”,而这个myth是被作者否定的(attacking what he calls the “auteur myth”),证明作者并不认为导演是唯一的艺术供应者(as the only purveyor of art),那么在他眼里,其余的人也在供应艺术,所以produce也在供应艺术,空格(iii)填入之后要体现出制片人在供应艺术的类似概念,因此选择I。
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