As Sesame Street(芝麻街)kicks off its 40th anniversary season Tuesday, with first lady Michelle Obama and Broadway star Lin-Manuel

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问题     As Sesame Street(芝麻街)kicks off its 40th anniversary season Tuesday, with first lady Michelle Obama and Broadway star Lin-Manuel Miranda as guests, it is indisputably the most beloved children’s show in history, and one of television’s biggest and most enduring successful stories.
    The series holds a record 122 Emmy Awards, not including a lifetime-achievement award, and has been adapted in more than 120 countries and territories around the globe. An estimated 100,000 Sesame products have been made available internationally, from T-shirts and costumes to high-tech toys such as Elmo Live.
    Sesame’s cross-cultural, multi-generational appeal has a lot to do with the specific age group it targets. "The bulk of our audience is in the 2s and 3s, though we shoot for 2 to 4," says executive producer Carol-Lynn Parente. At that early stage, says Spinney—who is 75, and has been with the show since Day 1(he plays Oscar as well)— "children are basically the same, and have been through the years. "
    But if preschooler’s fundamental needs and sensibilities haven’t changed much, the world around them has—not least of all on the media landscape, where Sesame Street now competes with many other kids’ shows and an ever-expanding array of new media.
    In 2000, the Children’s Television Workshop, the organization through which creator Joan Ganz Cooney launched Sesame Street on PBS predecessor NET, changed its title to Sesame Workshop, to reflect its expansion into the digital, interactive age.
    Content and presentation continue to evolve on TV as well. The show’s famously catchy theme song, Sunny Day, now has a hip-hop beat and a jazzier arrangement. Parente stresses that it’s just as important "to keep our curriculum current. The ABC’s and 123’s are always there, but we stay relevant by incorporating other things that are interesting and meaningful. "
    "We focus on all aspects of development—cognitive needs, social and emotional needs, health needs—and bring in advisers who are experts in each area, to make sure we’re age-appropriate," she says. " But we never talk down to children, and we’re not afraid to explore sensitive topics. "
    Sesame has had its critics in the academic community as well.
    For Mary Lynn Crow, a clinical psychologist and professor of education at the University of Texas-Arlington , "shows like Sesame Street lack the potentially deep, personal emotional imprint(印记)that can and should occur between a student and teacher in an early educational experience.
    On the other hand, Crow considers Sesame Street " a beautiful model of what I call high-tech learning. They can teach children about letters, numbers, color and size through repetition in ways traditional education can’t, and provide early information about attitudes, values and relationships. "
Why does Mary Lynn Crow hold a negative view on Sesame Street?

选项 A、Because she finds it only touches up superficial relationships in the early education field.
B、Because she thinks its theme is too deep and complicated for children to really understand.
C、Because she regards the relationship between students and teachers as personal and profound.
D、Because she doubts children’s ability in digging up the profound meaning behind the story.

答案A

解析 事实细节题。根据定位段中玛丽·林恩·克劳对《芝麻街》的评论可知,她认为该剧缺乏潜在深层次的、个人情感的印记,而这种印记能够也应该存在于早期教育的师生关系中。由此可知,她认为该剧仅触及早期教育师生关系的肤浅层面,因此A)是本题答案。B)“因为她认为该剧的主题过于深入复杂,儿童对此是无法真正理解的”;C)“因为她认为师生关系是深入的个人情感”;D)“因为她怀疑儿童挖掘该剧故事背后深远意义的能力”,均是对原文的曲解,故排除。
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