首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and the
Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and the
admin
2016-01-10
21
问题
Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and the Germans played a relatively small role in its worldwide exploitation. It was above all the French, followed closely by the Americans, who were the most passionate exporters of the new invention, helping to start cinema in China, Japan, Latin America and Russia. In terms of artistic development it was again the French and the Americans who took the lead, though in the years before the First World War, Italy, Denmark and Russia also played a part.
In the end it was the United States that was to become, and remain, the largest single market for films. By protecting their own market and pursuing a vigorous export policy, the Americans achieved a dominant position on the world market by the start of the First World War. The centre of film-making had moved westwards, to Hollywood, and it was films from these new Hollywood studios that flooded onto the world’s film markets in the years after the First World War, and have done so ever since. Faced with total Hollywood domination, few film industries proved competitive. The Italian industry, which had pioneered the feature film with spectacular films like Quo Vadis?(1913)and Cabiria(1914), almost collapsed. In Scandinavia, the Swedish cinema had a brief period of glory, notably with powerful epic films and comedies. Even the French cinema found itself in a difficult position. In Europe, only Germany proved industrially capable, while in the new Soviet Union and in Japan, the development of the cinema took place in conditions of commercial isolation.
Hollywood took the lead artistically as well as industrially. Hollywood films appealed because they had better-constructed narratives, their special effects were more impressive, and the star system added a new dimension to screen acting. If Hollywood did not have enough of its own resources , it had a great deal of money to buy up artists and technical innovations from Europe to ensure its continued dominance over present or future competition.
From early cinema, it was only American slapstick comedy that successfully developed in both short and feature format. However, during this "Silent Film" era, animation, comedy, serials and dramatic features continued to thrive, along with factual films or documentaries, which acquired an increasing distinctiveness as the period progressed. It was also at this time that the avant-garde film first achieved commercial success, this time thanks almost exclusively to the French and the occasional German film.
Of the countries which developed and maintained distinctive national cinemas in the silent period, the most important were France, Germany and the Soviet Union. Of these, the French displayed the most continuity, in spite of the war and post-war economic uncertainties. The German cinema, relatively insignificant in the pre-war years, exploded on to the world scene after 1919. Yet even they were both overshadowed by the Soviets after the 1917 Revolution. They turned their back on the past, leaving the style of the pre-war Russian cinema to the Emigres who fled westwards to escape the Revolution.
The other countries whose cinemas changed dramatically are: Britain, which had an interesting but undistinguished history in the silent period: Italy, which had a brief moment of international fame just before the war: the Scandinavian countries, particularly Denmark, which played a role in the development of silent cinema quite out of proportion to their small population: and Japan, where a cinema developed based primarily on traditional theatrical and, to a lesser extent, other art forms and only gradually adapted to western influence.
Why Hollywood can dominate over present or future competition?
选项
答案
Because it has a great deal of money.
解析
(文章第三段最后一句话提到If Hollywood…it had a great deal of money to buy up…to en-sure its continued dominance over present or future competition.)
转载请注明原文地址:https://kaotiyun.com/show/UVyK777K
本试题收录于:
A类竞赛(研究生)题库大学生英语竞赛(NECCS)分类
0
A类竞赛(研究生)
大学生英语竞赛(NECCS)
相关试题推荐
RareamongAmericanactors,DepphasmadeanameforhimselfeffortlesslyswitchingbetweenmainstreamHollywoodmoviesandmore
NEWYORKMay26,(Reuters)—AttorneyDennisKeniganjustspentaweekrisingatdaybreaktoanswere-mailsandfieldconferencec
Wasthecurseofthemummyreal?ThoughthedeathofLordCarnarvonseemedmysterious,itwasprobablymorethe【C1】res______of
Manystudentsfindtheexperienceofattendinguniversitylecturestobeaconfusingandfrustratingexperience.Thelecturerspe
Shewassofatthatshecouldonlyjust_________throughthedoor.
A、Apilot.B、Arepairwoman.C、Asuperwoman.D、Awriter.C题目问琳达10岁的时候想成为什么。对话中女士说当她10岁的时候不是很现实但想变得很强大,梦想是成为神奇女侠。故选C。
过去一百年里,位于北京市中心的紫禁城大多时候是庄严肃穆的空寂之地,与周边的熙熙攘攘形成鲜明的对比。【T1】中国末代皇帝退位后,故宫(theImperialPalace)便丧失了其原有作用。(abdicatethrone)这个占地颇广的建筑群要么空置,
Cultureisatermforwhichitisverydifficulttogiveaprecisemeaning.Thewordmeanssomanydifferentthingstodifferen
商业上的成功就在于该出手时就出手。(beamatterof)
Oncetheyhadfame,fortune,securefutures:______isutterpoverty.
随机试题
从政策的社会效果看,利益与代价的对应关系存在的基本类型有()
“姐儿生得漂漂的,两个奶子翘翘的。有心上去摸一把,心里有点跳跳的。”此民歌出自【】
在有限理性决策模式理论中,西蒙用“满意准则”代替了“最优准则”,强调的是该模式理论的()
车祸现场,受伤人数较多,以下救护措施不正确的是
如果采购单位认为供应商有很强的开发能力,采购业务对采购单位很重要,而且供应商也认为采购单位的采购业务对他们来说也非常重要,这样的供应商是重点型供应商。()
泥石流这种自然现象的分布,只受地形、地质条件的影响。()
在教学过程中,强调知识传授而忽视能力培养的理论是()。
下面程序计算并输出的是()。PrivateSubCommandl_Click()Num=10Sum=0DoSum=Sum+Num*Num*NumNum=Num-1LoopUntilNum<=0PrintSumE
Readthispassageandthesentences.ChoosethebestsentencefromthelistA—Gtofillineachofthegaps.Foreachgap(8—12)
DivorceForevery1,000marriedcouplesintheUK,13endupdivorcedaccordingtostatistics.Divorceisoftenacomplicate
最新回复
(
0
)