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  3. Not all painters are precocious (早熟), but Picasso was. In a technical way, he was as much a prodigy as Mozart, and his precocity

Not all painters are precocious (早熟), but Picasso was. In a technical way, he was as much a prodigy as Mozart, and his precocity

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问题     Not all painters are precocious (早熟), but Picasso was. In a technical way, he was as much a prodigy as Mozart, and his precocity seems to have fixed his peculiar sense of vocation. He was the son of a painter and by 13 he was so good at drawing that his father is said to have handed over his own brushes and paints to the boy and given up painting. If the story is true, it explains to some extent the mediumistic confidence with which Picasso worked. "Painting is stronger than I am, he once remarked." "It makes me do what it wants." If one were told that Science and Charity had been done by a 30-year-old Spanish scholar, one would have predicted a competent future for the man. Once one realizes that it was painted by a boy not yet 16, the skill seems ominously significant, like a visitation—and that is the general impression conveyed by Picasso’ s earliest work.
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答案 不是所有的画家都早熟，但毕加索是。从画技上而言，他像莫扎特一样，就是个奇迹。他的成熟似乎与他独特的灵感有关系。他是画家的儿子，在13岁时，他如此擅长作画以至于他的父亲将自己的画笔和颜料送给他，并决定放弃绘画。如果这个故事是真实的．它从某种程度上解释了毕加索的自信，源于灵感。他曾经说作画给我更强的力量，可以让我做任何喜欢的事情。如果一个人得知一个30岁的西班牙学者，作画并且做慈善，他一定会认为这个人前途不可限量。一旦他意识到一个画作是源于一个16岁青少年之手，画技就格外突出耀眼，就像神迹一样，这就是人们对毕加索早期作品的印象。
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