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  3. The cinema did not emerge as a form of mass consumption until its technology evolved from the initial peepshow format to the poi

The cinema did not emerge as a form of mass consumption until its technology evolved from the initial peepshow format to the poi

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问题    The cinema did not emerge as a form of mass consumption until its technology evolved from the initial peepshow format to the point where images were projected on a screen in a darkened theater. In the peepshow format, a film was viewed through a small opening in a machine that was created for that purpose. Thomas Edison’s peepshow device, the Kinetoscope, was introduced to the public in 1894. It was designed for use in Kinetoscope parlors, or arcades, which contained only a few individual machines and permitted only one customer to view a short, 50-foot film at any one time. The first Kinetoscope parlors contained five machines. For the price of 25 cents (or 5 cents per machine) , customers moved from machine to machine to watch five different films (or, in the case of famous prizefights, successive rounds of a single fight) .
   These Kinetoscope arcades were modeled on phonograph parlors, which had proven successful for Edison several years earlier. In the phonograph parlors, customers listened to recordings through individual ear tubes, moving from one machine to the next to hear different recorded speeches or pieces of music. The Kinetoscope parlors functioned in a similar way. Edison was more interested in the sale of Kinetoscopes (for roughly $ 1,000 apiece) to these parlors than in the films that would be run in them (which cost approximately $ 10 to $15 each). He refused to develop projection technology, reasoning that if he made and sold projectors , then exhibitors would purchase only one machine—a projector—from him instead of several.
   Exhibitors, however, wanted to maximize their profits, which they could do more readily by projecting a handful of films to hundreds of customers at a time (rather than one at a time) and by charging 25 to 50 cents admission. About a year after the opening of the first Kinetoscope parlor in 1894, showmen such as Louis and Auguste Lumiere, Thomas Armat and Charles Francis Jenkins, and Orville and Woodville Latham (with the assistance of Edison’s former assistant, William Dickson) perfected projection devices. These early projection devices were used in vaudeville theaters, legitimate theaters, local town halls, makeshift storefront theaters, fairgrounds, and amusement parks to show films to a mass audience.
   With the advent of projection in 1895 ~ 1896, motion pictures became the ultimate form of mass consumption. Previously, large audiences had viewed spectacles at the theater, where vaudeville, popular dramas, musical and minstrel shows, classical plays, lectures, and slide-and-lantern shows had been presented to several hundred spectators at a time. But the movies differed significantly from these other forms of entertainment , which depended on either live performance or (in the case of the slide-and-lantern shows) the active involvement of a master of ceremonies who assembled the final program.
According to paragraph 1, all of the following were true of viewing films in Kinetoscope parlors EXCEPT that______.
选项 A、each film was short
B、one individual at a time viewed a film
C、customers could view one film after another
D、prizefights were the most popular subjects for films
答案D
解析 事实细节题。文章首段提到了爱迪生发明的活动电影放映机(Kinetoscope)，并介绍了这种放映机的一些特点：电影很短，一台机器一次只能供一人看一场电影，顾客可以从一台机器上换到另外一台机器上看5部不同的电影。文中未提及[D]项，故答案为[D]项。
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