Ingma Bergman’s latest work as a screenwriter is " Sunday’s Children". Set in rural Sweden during the late 1920s, the story cen

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问题     Ingma Bergman’s latest work as a screenwriter is " Sunday’s
Children". Set in rural Sweden during the late 1920s, the story
centers on a young boy named Pu, clearly molded with Bergman【S1】______
himself. Pu’s father is a country clergyman who duties include【S2】______
traveling to the capital and ministering to the royal family. While
this is an enviable position, it does not assuage with problems in the【S3】______
clergyman’s marriage. Pu is young enough to be fairly unaware of
such difficulties, but his awareness grows with the pass of time. So【S4】______
do the subtle tensions that damage Pu’s own relationship with his
father, whose desire to show affection and compassion hampered by【S5】______
a certain stiffness in his demeanor and chilliness in his emotions.
    The film’s most resonant passage take place when Pu learns to【S6】______
see his father with new clarity while accompanied him on a cross-【S7】______
country trip to another parish. In a remarkable change of tone, this
portion of the story is punctuated for flash-forwards to a time 40【S8】______
years in the future, showing the relationship between parent and
children to be dramatically changed. The father is now cared for by
the son, and desires for forgiveness for past shortcomings what the【S9】______
younger man resolutely refuse to grant.
    Brief and abrupt although they are, these scenes make a sharp【S10】______
contrast with the sunny landscapes and comic interludes in the early
part of the movie.
    "Sunday’s Children’’ is a film of many levels, and all are
skillfully handled by Danniel Bergman in his directional debut.
Gentle scenes of domestic contentment are sensitively interwoven
with intimations of underlying malaise.
【S9】

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答案what—that/which

解析 关系代词误用。此处是定语从句,关系代词在定语从句中作宾语,因此应该使用that或者which,而不能使用what。
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