首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
Character Analysis of Shakespearean Plays I. Introduction —characters are【T1】______ in every play【T1】______ —conflicts usually
Character Analysis of Shakespearean Plays I. Introduction —characters are【T1】______ in every play【T1】______ —conflicts usually
admin
2018-04-10
27
问题
Character Analysis of Shakespearean Plays
I. Introduction
—characters are【T1】______ in every play【T1】______
—conflicts usually lead to a final【T2】______【T2】______
—an entry into plays: putting characters on【T3】______【T3】______
Ⅱ. Reasons for approaching Shakespearean plays by analyzing characters
A. plays with active characters like people around us
—the chief【T4】______ of the genre【T4】______
—it is natural to treat the play as we treat【T5】______ itself【T5】______
B. Shakespeare’s astonishing ability to【T6】______ characters【T6】______
—individual【T7】______ of the characters requires an evaluation【T7】______
—individual actors need to【T8】______ upon the motivations for【T8】______
their characters
C. Shakespeare’s characters are often【T9】______ or puzzled by their【T9】______
own characters
Ⅲ.【T10】______ and weaknesses of character analysis【T10】______
A. value
—reminding people of the central concern:【T11】______【T11】______
—helping people understand why Shakespeare【T12】______【T12】______
B. problems
—not enough【T13】______ about characters【T13】______
1) key elements required in full character analysis are
【T14】______【T14】______
2) speculations often end up in inconclusive and【T15】______【T15】______ debates
【T1】
Character Analysis of Shakespearean Plays
Good morning, everyone. Last time I just gave a brief introduction to the Shakespearean play, today we will go further to discuss together how to understand a Shakespearean play. The most obvious way to begin an interpretation of a Shakespearean play is by evaluating the characters. (1) Any play involves characters in a particular setting, doing particular things. (2) The plot will develop a conflict, which will usually inflict pain or distress on some people, and will lead to a final resolution of sorts in which some characters may die or be punished severely, while other characters survive or triumph or get substantially rewarded. (3) Hence, one clear entry into such a work is to put the characters on trial: Who is good? Who is bad? Why do certain people act in certain ways? Do any of the characters change? Where are my sympathies as I make my way through this play? As an interpreter, I am, in essence, the judge, and how shall I apportion my verdicts?
Interpreting a play by analyzing the characters in it, judging them, and coming to some final evaluation of them is a natural way to approach Shakespeare for three main reasons. (4) The first is that these are plays, and they inevitably feature active characters more or less recognizably like people around us. That, indeed, is the chief appeal of the genre. (5) So it is entirely natural to treat the play as we treat life itself, by responding to the people we see, the actions they carry out, the words they use, and the decisions they make. On the basis of these observations we will come to some conclusions about their characters and will discuss the play in those terms.
(6) The second reason is that Shakespeare is famous, more than anything else, for his astonishing ability to create interesting, complex, and natural characters. Unlike many other dramatists whose characters do not invite very complex investigation, Shakespeare has the ability to fill a play with scores of characters, (7) each of whom talks in a language and acts in a way which indicates a sharply focused individual personality with a very particular response to experience. Hence, it is, once again, natural to treat them as fully realized people whose conduct requires an evaluative judgment.
Then, too, the fact that we are dealing with plays always keeps the approach through character analysis alive, (8) because theatre productions depend on individual actors, and individual actors need to reflect upon the motivations for their characters. They have to, in a sense, discover their human qualities and become the stage people whose lives they enact. Thus, the dramatic tradition of continuing to mount Shakespeare productions ensures that the analysis of character will remain a powerful force in the interpretation of the plays.
(9) The third major reason why character analysis is an important approach to Shakespeare’s plays is that Shakespeare’s characters are often intrigued or puzzled by their own characters. That is, they may make their characters part of the dramatic "problem" of the fiction we are exploring. When, for example, Hamlet or Macbeth or Othello starts to wrestle with his own character, trying to understand his own motivation, feelings, and actions, that moment places the nature of the character as an essential element in the work. In other words, the plays themselves put character analysis directly on the table.
The approach to a Shakespeare play which places the analysis of character at the centre of the process was particularly strong in the nineteenth century, and (10) the literary interpretations from that period often illustrate the strengths and weaknesses of that approach. (11) The great value of character analysis is that it always reminds us that, whatever else we may want to talk of, the central concern is particular human beings. Whatever else King Lear is about, it is centrally about a suffering old man, whose unique character brings upon him almost unimaginable suffering. Whatever we make of Hamlet, we cannot forget that the people in the play drive Ophelia insane and lead her to suicide, and that she is an innocent and loving young woman. (12) Focusing upon the characters in the play always keeps us in touch with a major reason why Shakespeare matters—his works constantly illuminate human nature in all sorts of moving ways.
That said, however, treating the interpretation of a play as primarily a matter of evaluating character can create problems. (13) One major problem, of course, is that in many instances we do not know enough about a character to arrive at a sufficiently full understanding of his or her personality. We know almost nothing of Hamlet’s childhood, or Bolingbroke’s inner thoughts, or Lady Macbeth’s sexuality. (14) Thus, key elements required in any full character analysis are missing. (15) Of course, we can speculate on such matters, but such speculations can often end up in inconclusive and often trivial debates, because there is not enough evidence. So we can find criticism by the analysis of character degenerating into explorations of the girlhood of Shakespeare’s heroines, endless arguments about whether or not the Macbeths had any children, how old Hamlet might be or whether he is really insane or not, whether Falstaff is a coward or not, how black Othello really is, or what Antony and Cleopatra really talk about when they are alone together.
Shakspearean plays are great inheritance as well as wealth for the humankind. The characters in his plays give us lots of insights to know and to talk with Shakespear’s soul. I hope my lecture has led you on the way to the thought of this great player. Thank you for listening.
W: (1) An extremely competitive spirit of confidence and perhaps a little bit of hatred are just some of the guiding principles that help one guy from Queens rise to the top of the advertising world. Donny Deutsch says the key to his success was asking one simple question of himself—"Why not me?" (2) Now the advertising whiz who turns CNBC talk show host offers up his winning formula in his first book, Often Wrong, Never in Doubt, Unleash the Business Rebel Within. Donny, good morning. Nice to see you.
选项
答案
involved
解析
根据句(1)可知,任何戏剧中都有在特定场景中做着特定事情的角色,故答案为involved。
转载请注明原文地址:https://kaotiyun.com/show/e9oK777K
0
专业英语八级
相关试题推荐
SitcomsasaToolforELTEnglishteachershavebeenusingvideosintheclassroomfordecadesandnowsitcomsemergeinclassr
(1)Itismid-September,theheatisjustleakingoutoftheendofsummer,andJapanisenjoyingararepublicholiday.Aholida
PASSAGETWOWhyhavegovernmentagenciesadoptedpanelinterviews?
(1)Farmersinthedevelopingworldhatepricefluctuations.Itmakesithardtoplanahead.Butmostofthemhavelittlechoice:
A、Neithergoodnorbad.B、Bright.C、Disappointing.D、Gloomy.A本题考查今年职场前景如何。女士从各个行业机会的此消彼长、新增就业机会的具体数目、雇主对全职雇员的需求等角度作答,最后总结Soit’
(1)Thepoundingrainbeganinthemiddleofthenight.ThepeopleofJackson,Ohioawoketothesoundthenwentbacktosleep.
HowtoWriteaBookReviewI.ThedefinitionofabookreviewA.adescriptiveandcriticalorevaluativeaccountofabookB.a
“人们的生活越来越富裕,但却远不如以前那样快乐了”,这个现象似乎早已成为现代生活永恒的矛盾之一。一个可能的答案就潜藏在我们的心理因素中,即如何才能够满足。我们对于地位、财富的需求从来都不是孤立定位的,而是在与参照组——通常是那些我们自认为与其地位相当的人—
Duringtheearlyyearsofthiscentury,wheatwasseenastheverylifebloodofWesternCanadaPeopleoncitystreetswatchedt
A、JessicaspendslotsofmoneyinbuyingDVDs.B、Jessicausedtoborrowtheclassicsduringherschooltime.C、Mostofchildren’
随机试题
简述《中华民国临时约法》的主要内容。
简析鲁迅《风波》。要点:指出小说描写人物的主要手法。
动脉导管未闭病人出现差异性发绀最可能的原因是
下列药物中,最容易变色的是
突发剧烈胸痛伴呼吸困难和发绀常见于
长隧道及采用大型掘进机械施工的隧道,宜采用()导向。
在商品购销过程中,下列各项属于收付双方使用托收承付结算方法必须具备的条件的有()。
阅读下列材料并回答问题。材料一:现代世界的南北分裂,贫富悬殊,其历史根源可追溯到大约1500年之后的几个世纪。在这几个世纪,西方探险家和资产阶级奔走于世界各地,把相互隔绝的区域紧密联系在一起,逐渐形成了一个世界性的市场。世界市场的形成,极大地促进了
课程的特点在于动手做,在于手脑并用,以获得直接经验,这种课程类型体现了()的理论。
2017年广西壮族自治区地方财政“行政管理”支出为()亿元。
最新回复
(
0
)