Why does the man talk with Sandra?

M: Frankly, Sandra, I’m not very pleased with you. I don’t know -- it’s something about the way you approach your work, your attitude to it, that worries me.
W: Oh, really? How do you mean?
M: Well, you don’t seem to respond to me very well. In fact I find that you’re not easy to work with. Yes, re ally Sandra, I find you rather difficult.
W: I’m sorry you think that way.
M: The point is -- and I think I should be truthful with you, I can’t honestly recommend somebody for pro motion who doesn’t take an active interest in their work. You can see that, can’t you Sandra?
W: Er... yes I can and I’m sorry. I thought I was doing my best.
M: Maybe, but you don’t seem to enjoy your work. I mean, are you happy at LTV? Perhaps you need a change. Have you ever thought about working somewhere else? You know, a different sort of job.
W: Well, no. It’s not that. I like it here. I like working for LTV. I think television is exciting. It’s just that my job, what I do, seems so boring, so repetitive. I don’t feel as if I’m getting anywhere.
M: I see. Yes, I think I understand how you feel. I’m glad you told me. But you’ve got to realize, Sandra, that we can’t all do exciting work all the time.
W: Yes, I know that.
M: Look, this is what I think we’d better do. Bill Fletcher who deals with audience reaction and research wants someone to help him on door-to-door interviews and so on. We might be able to fit you in some where there. What do you think about that?