2. 外语
  3. For the last fifteen or twenty years the fashion in criticism or appreciation of the arts have been to 【1】______ to deny the

For the last fifteen or twenty years the fashion in criticism or appreciation of the arts have been to 【1】______ to deny the

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问题    For the last fifteen or twenty years the fashion
in criticism or appreciation of the arts have been to    【1】______
to deny the existence of any valid criteria and to                  
make the words "good" or "bad" irrelevant,                  
immaterial, and inapplicable. There is no such a                  
thing, we are told, like a set of standards first        【2】______
acquired through experience and knowledge and                  
late imposed on the subject under discussion. This       【3】______
has been a popular approach, for it relieves the critic                  
of the responsibility of judgment and the public by the  【4】______
necessity of knowledge. It pleases those resentful of                  
disciplines, it flatters the empty-minded by calling                  
him open-minded, it comforts the confused. Under         【5】______
the banner of democracy and the kind of quality                  
which our forefathers did not mean, it says, in effect,                  
"Who are you to tell us what is good or bad?" This                  
is same cry used so long and so effectively by the       【6】______
the producers of mass media who insist that it is the                  
public, not they, who decide what it wants to hear and   【7】______
to see, and that for a critic to say that this program is                  
bad and that program is good is pure a reflection of     【8】______
personal taste. Nobody recently bas expressed this                  
philosophy most succinctly than Dr. Frank Stanton      , 【9】______
the highly intelligent president of CBS television. At                  
a hearing before the Federal Communications                  
Commission, this phrase escaped from him under          【10】______
questioning: "One man’s mediocrity is another
man’s goed program".
【M10】
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答案将from删除。
解析 escape在作“被某人情不自禁地说出来”讲时，是及物动词；而只在作“逃跑”讲时，才是不及物动词，例如：It is not a question of dying earlier or later，but of dying well or ill．And dying well means escape from the danger or living ill．问题的关键不在于死得早还是死得晚，而在于好死还是歹死。所谓好死就是避免赖活。We rarely fathom another person’s thoughts，and if a similar reflection subsequently occurs to us it presents so many aspects which have escaped us that we are easily persuaded it is new．我们很少揣摩他人的思想，如果一种类似的想法产生，这想法会呈现那么多被我们忽略的侧面，以至于我们很容易相信它是一种全新的思想。
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