首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
"Looking at Theatre History" One of the primary ways of approaching the Greek theatre is through archeology, the systematic s
"Looking at Theatre History" One of the primary ways of approaching the Greek theatre is through archeology, the systematic s
admin
2018-07-24
39
问题
"Looking at Theatre History"
One of the primary ways of approaching the Greek theatre is through archeology, the systematic study of material remains such as architecture, inscriptions, sculpture, vase painting, and other forms of decorative art. A Serious on-site excavations began in Greece around 1870, but W. Dorpfeld did not begin the first extensive study of the Theatre of Dionysus until 1886. B Since that time, more than 167 other Greek theatres have been identified and many of them have been excavated. C Nevertheless, they still do not permit us to describe the precise appearance of the
Skene
(illustrations printed in books are conjectural reconstructions), since many pieces are irrevocably lost because the buildings in later periods became sources of stone for other projects and what remains is usually broken and scattered. D That most of the buildings were remodeled many times has created great problems for those seeking to date the successive versions. Despite these drawbacks, archeology provides the most concrete evidence we have about the theatre structures of ancient Greece. But, if they have told us much, archeologists have not completed their work, and many sites have scarcely been touched.
Perhaps the most eontroversial use of archeological evidence in theatre history is vase paintings, thousands of which have survived from ancient Greece. (Most of those used by theatre scholars are reproduced in Margarete Bieber’s The History of the Greek and Roman Theatre.) Depicting scenes from mythology and daily life, the vases are the most graphic pictorial evidence we have. But they are also easy to misinterpret. Some scholars have considered any vase that depicts a subject treated in a surviving drama or any scene showing masks, flute players, or ceremonials to be valid evidence of theatrical practice. This is a highly questionable assumption, since the Greeks made widespread use of masks, dances, and music outside the theatre and since the myths on which dramatists drew were known to everyone, including vase painters, who might well depict the same subjects as dramatists without being indebted to them. Those vases showing scenes unquestionably theatrical are few in number.
The texts to classical Greek plays were written down soon after the performance and possibly even before, though it is not always clear when or by whom. By 400 b.c.e., there was a flourishing book trade in Greece, but the texts for plays were a challenge. Hellenistic scholars dedicated years to sorting out the text and removing what they believed to be corruptions generally added by actors, but each time a text was copied there were new possibilities for errors.
The oldest surviving manuscripts of Greek plays date from around the tenth century, c.e., some 1500 years after they were first performed. Nevertheless, the scripts offer us our readiest access to the cultural and theatrical conditions out of which they came. But these scripts, like other kinds of evidence, are subject to varying interpretations. Certainly performances embodied a male perspective, for example, since the plays were written, selected, staged, and acted by men. Yet the existing plays feature numerous choruses of women and many feature strong female characters. Because these characters often seem victims of their own powerlessness and appear to be governed, especially in the comedies, by sexual desire, some critics have seen these plays as rationalizations by the male-dominated culture for keeping women segregated and cloistered. Other critics, however, have seen in these same plays an attempt by male authors to force their male audiences to examine and call into question this segregation and cloistering of Athenian women.
By far the majority of written references to Greek theatre date from several hundred years after the events they report. The writers seldom mention their sources of evidence, and thus we do not know what credence to give them. In the absence of material nearer in time to the events, however, historians have used the accounts and have been grateful to have them. Overall, historical treatment of the Greek theatre is something like assembling a jigsaw puzzle from which many pieces are missing: historians arrange what they have and imagine (with the aid of the remaining evidence and logic) what has been lost. As a result, though the broad outlines of Greek theatre history are reasonably clear, many of the details remain open to doubt.
Glossary
skene: a stage building where actors store their masks and change their costumes
In paragraph 4, the author states that female characters in Greek theatre
选项
A、had no featured parts in plays
B、were mostly ignored by critics
C、did not participate in the chorus
D、frequently played the part of victims
答案
D
解析
"... these characters [women] often seem victims of their own powerlessness." Choice A is not correct because many plays featured strong female characters. Choice B is not correct because some critics have seen these plays [with women as victims] as rationalizations by the male-dominated culture and other critics have seen them as an attempt to examine this aspect of the culture. Choice C is not correct because plays featured numerous choruses of women.
转载请注明原文地址:https://kaotiyun.com/show/wCfO777K
0
托福(TOEFL)
相关试题推荐
Completetheflowchartbelow.ChooseFIVEanswersfromtheboxandwritethecorrectletter,A-G,nexttoquestions26-30.AId
WhatrulesapplytotakingdifferentobjectstotheCentre?Matcheachobjectwiththecorrectrule,A-C.Writethecorrectlett
ChooseTWOletters,A-EWhichTWOproblemsdoSamandthetutoridentifyconcerninggroupassignments?APersonalrelationships.
Labeltheplanbelow.Writethecorrectletter,A-l,nexttoquestions16-20Whereinthemuseumarethefollowingplaces?Kit
Completetheflowchartbelow.ChooseSIXanswersfromtheboxandwritethecorrectletter,A-G,nexttoquestions11-16.Aair
Completethetablebelow.WriteNOMORETHANTWOWORDSAND/ORANUMBERforeachanswer.Talkingaboutthehistoryofbikes
Completethenotesbelow.WriteONEWORDAND/ORANUMBERforeachanswer.DRIVINGSCHOOLExampleAnswerLookingfordrivingless
ChooseTWOletters,A-E.WhichTWOrecentdevelopmentsinroof-gardenbuildingarementioned?AwaterproofbarriermaterialsBd
Whatadvantagedoesthespeakermentionforeachofthefollowingphysicalactivities?ChooseSIXanswersfromtheboxandwrite
ResearchingtheoriginofmedievalmanuscriptsBackgroundMedievalmanuscripts—handwrittenbooksproducedbetweenthefifth
随机试题
患儿,4岁,发热3天伴流涕、咳嗽、流泪就诊。查:T40℃,球结膜充血,心肺检查阴性,耳后发际处可见少许红色斑丘疹。为明确诊断,应立即做哪项检查()
成人末梢血白细胞计数正常参考值是()。
矿业工程井下施工控制网采用的形式是()。
楼盖和屋盖采用钢筋混凝土结构,而墙和柱采用砌体结构建造的房屋属于()
劳动力市场的均衡工资率和均衡就业量的大小取决于()的位置。
(石家庄事业单位2011—96)小张在下周有3项工作要完成,如果每天只做一项工作,每项工作可以安排在周一到周五这5天中的任何一天,问共有多少种安排方法?()
苏格拉底教学法
蒋介石、汪精卫先后叛变革命,实行清党分共政策后,国民党是()
设f(x)有二阶连续导数,且f’(0)=0,=1,则
以下有关进程状态的叙述中,________是不正确的。
最新回复
(
0
)