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  3. Matisse’s art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis When Hilary Spu

Matisse’s art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis When Hilary Spu

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问题     Matisse’s art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis When Hilary Spurling writes of The Piano Lesson that “the picture can not be confined to any single source or meaning,” she might be writing of any of Matisse’s works. Picasso’s themes, with their collage of traditional signs and symbols, are far more susceptible to conventional iconographic analysis than anything in Matisse. Similarly, the cubism of Picasso and Braque, while rejecting traditional perspective, can nevertheless be studied as an inversion of traditional norms, using the same tools that one uses to study those norms. But the solutions that Matisse arrives at are always idiosyncratic and tend to be unrelated to any system of ideas. Intuition is his only system.
The passage identifies which of the following as a reason that Matisse’s art can confound analysis?
选项 A、Traditional analytical tools are not well suited to Matisse’s art.
B、Matisse’s art is marked by a freedom from systematic influence.
C、The norms that Picasso and Braque rejected were not ones that Matisse rejected.
答案A,B
解析 由第四句可知，毕加索和布拉克的艺术能用传统工具研究，因此马蒂斯的不能，选项A正确。B项对应第五句，马蒂斯不与任何思想体系有关。C项我们不知道马蒂斯是否拒绝了这些规则。
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