It is commonly supposed that when a man seeks literary power he goes to his room and prepares an article for the press. But this

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问题       It is commonly supposed that when a man seeks literary power he goes to his room and prepares an article for the press. But this is to begin literary culture【C1】______ the wrong end. We speak a hundred times for every【C2】______ we write. The busiest writer produces 【C3】______ more than a volume a year, not so much as his talk would【C4】______ in a week.【C5】______ through speech it is usually decided whether a man is to have【C6】______ of his language or not. If he is slovenly in his ninety-nine cases of talking, he can【C7】______ pull himself【C8】______ to strength and exactitude (精确) in the hundredth ease of writing. A person is made in one piece, and the same being runs through a 【C9】______ of performances. Whether words are uttered on paper or to the air, the effect【C10】______ the utterer is the same. Vigor or feebleness is【C11】______ accordingly as energy or slackness has been in command. I know that certain【C12】______ to a new field are often necessary. A good speaker may find awkwardness in himself, when he【C13】______ write; a good writer, when he speaks. And certainly eases occur【C14】______ a man exhibits【C15】______  strength in one of the two, speaking or writing, and not in the other. But such eases are rare.【C16】______ , language once【C17】______ our control can be employed for oral or for written【C18】______ And【C19】______ the opportunities for oral practice enormously outbalance those for written, it is the oral which are chiefly significant in the【C20】______ of literary power.
【C7】

选项 A、seldom
B、often
C、always
D、never

答案A

解析 考查对篇章的理解。这句话的意思是说,如果一个人99次说话都是拖拖拉拉,那他在第100次写东西的时候也不会使自己提高,变得言之有物而且缜密准确。根据这个意思,这里的选择可以考虑seldom和never。但never过于绝对,不符合逻辑,所以正确选择只能是seldom。
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