Matisse’s art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis When Hilary Spu

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问题     Matisse’s art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis When Hilary Spurling writes of The Piano Lesson that “the picture can not be confined to any single source or meaning,” she might be writing of any of Matisse’s works. Picasso’s themes, with their collage of traditional signs and symbols, are far more susceptible to conventional iconographic analysis than anything in Matisse. Similarly, the cubism of Picasso and Braque, while rejecting traditional perspective, can nevertheless be studied as an inversion of traditional norms, using the same tools that one uses to study those norms. But the solutions that Matisse arrives at are always idiosyncratic and tend to be unrelated to any system of ideas. Intuition is his only system.
The passage suggests which of the following about Braque’s cubism?

选项 A、It lends itself more readily to systematic analysis than does Matisse’s work.
B、It is more radical in terms of form than most paintings by Matisse.
C、It was influenced by Matisse’s idiosyncratic and intuitive approach.
D、It can not be confined to any single source or meaning.
E、It is overly dependent on traditional signs and symbols.

答案A

解析 通过第四五两句对马蒂斯和布拉克的对比可知选项A正确。根据第四句,布拉克的立体主义可以通过现成的工具去研究,第五句马蒂斯与任何思想体系无关,因此布拉克比马蒂斯更容易用系统化分析来研究。B项文中未提及radical。C项马蒂斯和布拉克是对立关系,布拉克不可能被马蒂斯影响。D项描述的是马蒂斯的特征。E项文中未提及overly。
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本试题收录于: GRE VERBAL题库GRE分类
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