2. 考研
  3. In the past century Irish painting has changes from a British—influenced lyrical tradition to an art that evokes the ruggedness(

In the past century Irish painting has changes from a British—influenced lyrical tradition to an art that evokes the ruggedness(

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问题 In the past century Irish painting has changes from a British—influenced lyrical tradition to an art that evokes the ruggedness(朴实)and roots of an Irish Celtic past．At the turn of the twentieth century Irish painters，including notables Walter Frederick Osborne and Sir William Orpen，looked elsewhere for influence Osborne’s exposure to‘plain air’painting deeply impacted his stylistic development；and Orpen allied himself with a group of English artists，while at the same time partici pated in the French avant-garde experiment，both as painter and teacher．
    However，nationalist energies were beginning to coalesce(接合)，reviving interest in Irish culture-including Irish visual arts．Beatrice Elvery’s(1907)，a landmark achievement，merged the devotional simplicity of fifteenth—century Italian painting with the iconography(图像学)of Ireland’s Celtic past，linking the history of Irish Catholicism with the still—nascent(初生的)Irish republic And，although also captivated by the French plain air school，Sir John Lavery invoked the mythology of his native land for a 1928 commission to paint the central figure for the bank note of the new Irish Free State Lavery chose as this figure，with her arnl on a Celtic harp(竖琴)，the national symbol of independent Ireland   In Irish painting from about 1910，memories of Edwardian romanticism coexisted with a new sense of realism，exemplified by the paintings of Paul Henry and Se Keating，a student of Orpen’s．Realism also crept into the work of Edwardians Lavery and Orpen，both of whom made paintings depicting World War I，Lavery with a distanced Victorian nobility，Orpen closer to the front，revealing
a more sinister and realistic vision．Meanwhile，counterpoint(对照)to the Edwardians and realists came JackbYeats，whose travels throughout the rugged and more authentically Irish West led him  to depict subjects ranging from street scenes in Dublin to boxing matches and funerals．Fusing close observations of Irish life and icons with an Irish identity in a new way，Yeats changed the face of I fish painting and became the most important Irish artist of his century．
The author points out the coexistence of romanticism and realism most probably in order to show that______________．
选项 A、Irish painters of the early twentieth century tended to romanticize the harsh reality of war
B、for a time painters from each school innuenced painters from the other school
C、Yeats was influenced by both the romantic and realist schools of Irish painting
D、the transition in Irish painting from one predominant style to the other was not an abrupt one
答案D
解析 文章主要讲了绘画艺术的发展变化。根据最后一段前两句，浪漫主义盛行时，现实主义也渐渐显露头角，这种共存是一种艺术形式向另一种形式的过渡。D项正确。
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