2. 外语
  3. 美术工作者大都喜欢桥，我每到一地总要寻桥。桥，多么美!“小桥流水人家”。固然具诗境之美，其实更偏于绘画的形式美；人家房屋，那是块面；流水，那是长线。曲线，线与块面组成了对比美：桥与流水相交，更富有形式上的变化，同时也是线与面之间的媒介，它是沟通线、面间形式

美术工作者大都喜欢桥，我每到一地总要寻桥。桥，多么美!“小桥流水人家”。固然具诗境之美，其实更偏于绘画的形式美；人家房屋，那是块面；流水，那是长线。曲线，线与块面组成了对比美：桥与流水相交，更富有形式上的变化，同时也是线与面之间的媒介，它是沟通线、面间形式

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问题     美术工作者大都喜欢桥，我每到一地总要寻桥。桥，多么美!“小桥流水人家”。固然具诗境之美，其实更偏于绘画的形式美；人家房屋，那是块面；流水，那是长线。曲线，线与块面组成了对比美：桥与流水相交，更富有形式上的变化，同时也是线与面之间的媒介，它是沟通线、面间形式转变的桥!如果煞它风景，将江南水乡或威尼斯的石桥拆尽，虽然绿水依旧绕人家，但彻底摧毁了画家眼中的结构美，摧毁了形式美。
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答案 On the subject of beauty, an image of "a small bridge, a creek and a cottage" is more of a picture than a poem：the cottage represents planes while the creek stands for lines and curves, and beauty emerges from the contrast. The bridge intersects the creek, leading to more variations in forms. Meanwhile, it serves as the medium of connection between lines and planes and helps with the change between them. A less desirable situation is that if all stone bridges in Venice or water towns beside the Yangtze River were taken down, although clear rivers remain around cottages, the beauty in structure and form in the eyes of painters would all disappear.
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