我特别喜欢他的那幅《向日葵》朵朵黄花有如明亮的珍珠,耀人眼目,但孤零零插在花瓶里,配着黄色的背景,给人的是种凄凉的感觉,似乎是盛宴散后,灯烛未灭的那种空荡荡的光景,令人为之心沉。我原是爱看向日葵的,每天清晨看它们缓缓转向阳光。洒着露珠,是那样的楚楚可怜亦复

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问题     我特别喜欢他的那幅《向日葵》朵朵黄花有如明亮的珍珠,耀人眼目,但孤零零插在花瓶里,配着黄色的背景,给人的是种凄凉的感觉,似乎是盛宴散后,灯烛未灭的那种空荡荡的光景,令人为之心沉。我原是爱看向日葵的,每天清晨看它们缓缓转向阳光。洒着露珠,是那样的楚楚可怜亦复可爱。如今得了这幅画便把它装上镜框,挂在寓所餐室里。向日葵衬在一片明亮亮的黄色阳光里,挂在漆成墨绿色的墙壁上,宛如亭亭伫立在一望无际的原野中,特别怡目,但又显得孤清。每天我就这样坐在这幅画的对面,看到了欢欣,也尝到了寂寞。以后我读了欧文.斯通的《生活的渴望》,是关于梵高短暂一生的传记。他只活了三十七岁,半生在探索色彩的癫狂中生活,最后自杀了。他不善谋生,但在艺术上却走出了自己的道路,虽然到死后很久,才为人们所承认。我读了这本书,为他执著的生涯所感动,因此更宝贵他那画得含蓄多姿的向日葵。我似乎懂得了他的画为什么一半欢欣,一半寂寞的道理。

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答案 I like his painting Sunflowers in particular, for each yellow flower is glittering like a pearl, but with the blossoms held lonesome in a vase against the yellow background, it manifests a dreary scene, which is as vacant as a finished banquet and only the candles are left burning, making us dejected. I love sunflowers and enjoy watching them turn their faces slowly towards the sun in the morning, dripping with dew drops, so delicate and charming. Now, I have framed this painting and hung it on the wall of the dining room in my flat. Hung on the dark-green-painted wall, the sunflowers are as if standing in an endless field bathed in bright golden sunshine, looking exceptionally pleasant to the eye but giving a sense of loneliness as well.

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