首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity.
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity.
admin
2017-12-31
55
问题
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. 【C2】______, for example, is not meant to be listened to intently. We have all used music as background sound to create 【C3】______ for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create【C4】______, and we may deliberately turn off the music, so as to【C5】______.
There are other times when music is【C6】______, and we give it our full attention. This could be in a church, at a special event, or【C7】______. But how are we supposed to listen to a piece of music? There are different ways to【C8】______. Some people let the sounds wash over them like a sonic bath, 【C9】______. This is the sensuous level. Other listeners respond on a【C10】______level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and【C11】______to form an expressive composition. The first level of attending to music is【C12】______: the second, analytical. The perceptive level 【C13】______. Ideally, we learn to listen more perceptively in order to 【C14】______. Perceptive listening allows us to enjoy the music more fully by revealing【C15】______.
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is【C16】______. At other times, listening to concert music, or even folk music can be 【C17】______. This is particularly the case if we want to【C18】______in the music as they occur. The ultimate experience is being so【C19】______that we lose ourselves in it. Time may appear to stop, and【C20】______.
【C16】
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to music with different levels of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. Elevator or telephone music, for example, is not meant to be listened to intently. We have all used music as background sound to create a pleasant atmosphere for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create a dreamlike haze, and we may deliberately turn off the music, so as to concentrate on the driving.
There are other times when music is the center of our focus, and we give it our full attention. This could be in a church, at a special event, or at an orchestra concert. Rut how are we supposed to listen to a piece of music? There are different ways to experience the melody. Some people let the sounds wash over them like a sonic bath, an emotional flood. This is the sensuous level. Other listeners respond on a perceptive or analytical level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and how they accumulate to form an expressive composition. The first level of attending to music is purely emotive: the second, analytical. The perceptive level raises our awareness . Ideally, we learn to listen more perceptively in order to increase the emotional impact. Perceptive listening allows us to enjoy the music more fully by revealing the expressive power of the composition .
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is performing out-of-doors. At other times, listening to concert music, or even folk music can be serious and intense. This is particularly the case if we want to comprehend and appreciate all the events in the music as they occur. The ultimate experience is being so caught up in the music that we lose ourselves in it. Time may appear to stop, and our spirit is transformed.
选项
答案
performing out-of-doors
解析
转载请注明原文地址:https://kaotiyun.com/show/jqSO777K
本试题收录于:
NAETI高级口译笔试题库外语翻译证书(NAETI)分类
0
NAETI高级口译笔试
外语翻译证书(NAETI)
相关试题推荐
我国金融改革的不断深化将为外资银行与中资银行的合作带来新的机遇。银监会鼓励外资银行通过参股中资银行,在业务、客户和市场方面获得突破;同时,在公司治理、内控、风险管理和经营理念方面带来先进的经验和做法,使中、外资银行在合作中共同获得发展。作为深化金
党的十一届三中全会以来,随着党和国家工作重点转移到以经济建设为中心,教育在社会主义现代化建设中的地位和作用也越来越重要,我国教育的改革和发展取得了很大的成就。进入20世纪90年代,科学技术日新月异,知识经济初见端倪,综合国力竞争日趋激烈,我国社会
世界著名的《格萨尔王传》是藏族人民在漫长历史长河中创造出来的一部珍贵的长篇英雄史诗,是中国乃至世界文学宝库中少有的珍品,但一直是通过民间说唱艺人口头流传为了保护藏民族的这一文化瑰宝,西藏自治区于1979年成立了抢救、整理《格萨尔王传》的专门机构,进行全面搜
A、20%.B、15%.C、10%.D、9%.C根据题干要求可从原文中找到全球旅游业和GDP(国内生产总值)之间的关系。原文第一句提到“Globaltourism...represents10percentofworldGDP...”,
A、TheUnitedStates.B、Britain.C、Germany.D、Ireland.C注意信号词while的用法,该结构中while引导的从句一般表述次要信息,而其主句的内容往往是全句信息的重点。
A、SympatheticB、IndifferentC、Critical.D、Matter-of-fact.D在听的过程注意文中使用的言辞,尤其是其言外之意和起到的作用。
Peopleofdifferentfieldscametogetherforthesamedreamofbuildingasmartcity.
假期往往是快乐与压力相伴而行。你需要陪伴家人、购买和互赠礼物、拜亲访友、享用节日大餐、打折疯狂采购、组织和参加聚会等。回归到日常生活节奏和相对更安静的工作场所,会使你因缺乏新鲜事物的刺激而精神不振。感到有点失落是一种正常的感觉;一旦回归到日常生活
A、Georgealwaystellsthetruth.B、Georgelivestoofartovisitus.C、ItiskindofGeorgetoassistmeinthefillingstation.
随机试题
关于信用证支付方式的基本特点,下列说法正确的是()
甲氨蝶呤抑制嘌呤的合成,因为它抑制
1932年,首先提出心电图运动试验可作为冠心病辅助诊断方法的学者是
镇肝熄风汤的病机不涉及
什么是程序单元?
在外界刺激持续作用下感受性发生变化的现象叫()。
某教师在上课过程中发现一个学生分心,便在讲课的同时用目光凝视这个学生,引起了他的注意,促使其重新专心听讲。这位教师运用的是()。
2013年度中国出国留学人员总数为41.39万人,留学回国人员总数为35.35万人,分别比上年增长3.58%和29.53%。出国留学人员中国家公派1.63万人,单位公派1.33万人,自费留学38.43万人。回国人员中国家公派1.19万人,单位公派1.01万
A、 B、 C、 D、 A
下列叙述中正确的是
最新回复
(
0
)